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Archive for the tag “Fiction”

From Limbo to Publication

From Karen:

We’re giving our heartiest congratulations to first-time novelist Magdalena Waz whose novel, Return on Investment, won the Fiction Attic Press Debut Novel Contest this year. Fiction Attic, headed by founder Michelle Richmond, is publishing some of the most interesting new fiction out there today.

Magdalena’s smart new novel is a great example. Magdalena’s work has also appeared in Threadcount, The Collagist, and Rabbit Catastrophe Review. She is currently the Features Editor at Bushwick Daily.

Here, she discussed the uncertain journey to publication and the stuff you learn along the way.

Please welcome Magdalena to Write Despite.

return-on-investment-red-coverEvery manuscript has a different path to publication, and every writer has a slightly different battle to fight when it comes to choosing one or choosing to take any at all. Writing Return on Investment was far easier than coming to terms with the fact that it was getting published. This was the first novel attempt I had actually completed and the first time I had committed to some kind of story arc for more than 20 pages.

Some of these chapters are three and a half years old; some are two years old. Some of them have been edited four to five times and drastically; others have been tweaked in small ways that likely only matter to me. I could have lived in that limbo-y “it’s not quite done yet” stage for years.

But I was done with grad school, working odd jobs, having trouble focusing on new and old projects alike. The only logical solution at the time was to submit any writing and fill those free hours with something that felt like action.

Of course, anyone who has submitted stories, poems, or manuscripts to contests or journals knows how little action there really is. I was addicted to those short moments of exhilaration: the moment when I hit submit, and the moment when I saw an email notification from Submittable.

I had sent in my manuscript to Fiction Attic’s contest on a whim one summer soon after signing up for a weekly newsletter called “Sapling” which curates a short selection of submission opportunities, contests, and interviews with editors and publishers (I highly recommend it).

I found out over Thanksgiving weekend. I was admiring my mom’s new dining room table when I got the notification, and I read the email multiple times before I shared it. And then for months I did not believe it was real. There were whole days where the limbo voice woke up somewhere in me and insisted I was rushing, that I hadn’t sat on the manuscript for long enough, that I hadn’t written the whole story.

But this process has been very informative. This particular manuscript’s path to publication taught me that I am happiest when I am sharing what I write. Giving my writing a public life is what motivates me to write more. Without feedback in a workshop, I would have never finished the manuscript in the first place, and without taking the plunge and submitting, I would have never figured out what I need to do in order to keep writing.

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Summer Reading

summer-reading-006Summertime and the reading is good this year. We’ve selected our seasonal picks, and will surely be spotted toting them on vacation and to neighborhood parks. Here’s what we’ve chosen:

 From Karen:

My extremely well read sister has shamed me into reading Proust’s Remembrance of Things Past. Okay, there are a few holes in my education. This is one I’m going to fill.

Then I’m onto two new novels that I can’t want to get my hands on. They’re from two of my favorite contemporary authors.

caninstrout

 

From Cathy:

My book group never fails to steer me toward books I certainly wouldn’t choose for myself, and usually end up glad to have read. The one I’m reading now is no exception. Even though I’m not much of a nonfiction reader, Missing Man, about a spy who disappeared in Iran, grabbed me from the start. I’ll pass it along to the hubby too.

man

After that somber read, I’ll need a pick-me-up. And my all-time favorite, Anne Tyler, is just the ticket with her latest–a modern-day version of Taming of the Shrew, coming out on June 21:

vinegar girl

 

 

 

 

 

What are YOU reading on the deck, at the pool, by the ocean? We need more ideas. Please leave us a comment and share your summer reading picks! (By the way, no need to insert your name or email address when you comment. Just type and hit Post.)

 

 

 

Spring Writing Contests

Going through some recent contest announcements and thought we’d share. Here are some writing contests coming up (some very soon), so get those fingers flying, and best of luck!and the winner

Writing Contest: Flyway

flyway.submittable.com/submit

Entry fee: $12

Deadline extended until April 27

Sweet Corn: A spring contest for short fiction and poetry, celebrates work that surprises, shocks, moves, or affects the reader while exploring human and natural environments. Submit up to three poems or a single short story of 5,000 words or less. First-place winners receive $500, publication in Flyway, and a box of organic Iowa sweet corn. Runners-up receive $50 and publication.

Editor’s Reprint Award 

www.sequestrum.org/contests

Entry fee: $15

Deadline: April 30

Sequestrum is accepting submissions for its second annual Editor’s Reprint Award. Open to reprints of fiction and nonfiction in any original format (electronic or print). Length and subject are open. One $200 prize plus publication. Minimum one runner-up prize including publication and payment.

Not previously published? No Problem! They always accept general submissions: www.sequestrum.org/submissions.

Writer’s Digest Annual Writing Competition

http://www.writersdigest.com/writers-digest-competitions/annual-writing-competition

Entry fee: Varies

Deadline: May 6, 2016

Big money prizes for this one, up to $5,000. Categories are:

  • Inspirational Writing (Spiritual/Religious)
  • Memoirs/Personal Essay
  • Magazine Feature Article
  • Genre Short Story (Mystery, Romance, etc.)
  • Mainstream/Literary Short Story
  • Rhyming Poetry
  • Non-rhyming Poetry
  • Stage Play
  • Television/Movie Script
  • Children’s/Young Adult Fiction

New Anthology Competition: Finding Mr. Right

findingmrrightsite.wordpress.com

Entry Fee: $5

Deadline: May 15, 2016

Finding Mr. Right, an upcoming anthology, is seeking true story essay submissions from female writers worldwide. In addition to paperback publication, cash prizes of $200, $100 and $75 will be awarded to the top three authors that win our judges’ hearts in the categories of “Love At First Sight,” “Near Mrs.,” “Stupid Stuff I Did For Love,” “Were You There Along?” and “Table For One.”

Raymond Carver Short Story Contest
www.carvezine.com/raymond-carver-contest/#.U1ec2_mSwSa
Entry Fee: $17
Deadline May 15, 2016

Prizes: $1,500 first, $500 second, $250 third, and two $125 (Editor’s Choice). Winning stories will be read by three literary agencies. Honorable mentions and semi-finalists will be listed online for up to six months. No genre fiction (romance, horror, sci-fi); literary fiction only. Limit 6,000 words.

Creative Nonfiction Prize
www.creativenonfiction.org/submissions/joy
Entry fee:$20
Deadline: May 16, 2016

For an upcoming issue, Creative Nonfiction is seeking new essays about JOY. Creative Nonfiction editors will award $1,000 for Best Essay and $500 for runner-up. All essays will be considered for publication in a special “Joy” issue of the magazine to be published in winter 2017.

Blue Mountain Poetry Card Contest

www.sps.com/poetry/index.html

No Entry Fee

Deadline June 30, 2016

First prize $300. Second prize $150. Third prize $30. Poems can be rhyming or non-rhyming, although we find that non-rhyming poetry reads better. We suggest that you write about real emotions and feelings and that you have some special person or occasion in mind as you write.

Q & A with Author P.J. Devlin

pag–From Cathy

P. J. Devlin tells stories about relationships. Whether writing of a witch, a dwarf, an elderly woman, teenagers, or indentured servants, her characters exist in the Philadelphia of her birth and share her love of the Wissahickon Creek. She is currently working on her third book with Possibilities Publishing Company.

wissahickon coverWissahickon Souls is Devlin’s historical novel set in the early 19th century, which follows the life of a free black woman born to free black parents in Philadelphia. 

Becoming Jonika is her coming-of-age novel set during the cultural upheaval of the late 1960s.

Please welcome P.J. Devlin to Write Despite!

jonika cover

 

 

What is your writing process like?

The genesis of each of my stories, including my novels, comes from an image. Most of these images have bounced around my mind for years before they emerge and announce themselves as ready to write. For example, the short story titled “Original Sins” (which will appear in my short story collection to be published summer 2016), developed from a visit I made as a teenager to a house where statues of saints appeared in every nook and cranny. That image stayed with me for more than 40 years before becoming a story (unrelated to that household except for the statues).

Once I have a story idea, I need to visualize the last scene. I think of my writing process as being a journey and I want to know where I’m going before I start. I’ve come to realize my best work results from thinking through the entire story by way of structure—especially the three-act structure.

When I know the story ending, I go to my white board and note the story’s theme, characters, plot, and initiating incident. Then I make three columns and label them: Act I, Act II, Act III. In Act I and Act II columns, I list scenes and turning points. In Act III I list the final complication scene and the resolution. For a novel, I make a list of chapter titles as points of reference to help with the forward momentum of the story. Then I start to write. While my initial thoughts about story scenes change as the story progresses (the value of the white board is that it’s easy to erase), I find the time I spend before I get going to be my most valuable investment in the finished product.

Do you write every day?

A writer whose name I don’t remember was asked that question in an interview I happened to hear. He said his practice was to write 5 hours a day 5 days a week. That’s the model I try to follow, although many weeks I write every day, especially when I’m working on a deadline – self imposed or for publication. I work best in the morning, but those mornings when something interferes—a doctor’s appointment, a household repair, it doesn’t take much—I know I won’t be able to focus later on. Those days I read instead of writing. I read craft books as well as fiction and nonfiction.

Favorite five authors or books?

I love Stephen King, especially 11-22-63, The Stand, and It.

I’ve read most of Jodi Picoult’s novels. She’s a great storyteller.

Donna Leon writes wonderful, rich mystery novels set in Venice, Italy.

Octavia Butler, the first black woman to write sci-fi novels, is one of my favorite authors. Kindred is an important novel, in my opinion.

And George Mason University’s Susan Shreve is a brilliant writer—Daughters of the New World, A Student of Living Things, Warm Springs, and A Country of Strangers are my favorites.

It seems you came to be a writer later in life. Why, and how did you accomplish it?

I’ve been a writer from the moment I learned the alphabet and put pencil to paper. My mother saved a little notebook in which I wrote stories in a baby scrawl when I was five years old. I’ve always known my destiny is to write stories. I wrote stories throughout grade school, high school, and college. But I’m a practical person and before I started my junior year in college, I decided what was most important was to be independent with the ability to support myself and my family whether or not I was married. I changed my major to economics then and studied to earn a BA, MA, and PhD. While my husband and I raised our four children, I worked for Fairfax (Virginia) County Government as a financial analyst and for five of those years, also taught Economics at Northern Virginia Community College. But I never lost sight of my goal to write fiction. As soon as I put in enough years to earn my pension, in 2008, I retired from Fairfax County and entered the George Mason University Creative Writing Program. I knew I had some talent but I was well aware I lacked skill and craft. To the extent I’m now a published author, the Mason faculty and the writers I attended classes with have been instrumental in helping me find my path.

In many ways my ability to live the writing life now results from my youthful decision to live the earning life. I’m awed and impressed by my young colleagues who manage to write while raising their families and paying the bills.

Why did you choose to go the nontraditional publishing route and not through an agent?

At writers’ conferences, I always attended sessions with agent panels and those about finding an agent. (I casually spoke to a few agents and found them to be lovely people). I also attended sessions with newly published writers who’d found agents and who spoke about their experiences. Each of these authors told of years-long (eight years or more from novel completion to publication) struggles to find an agent, for the agent to sell their book, and for the publishing company to include the book on its publication list for an upcoming year. A Caldecott Award-winning author reported that for a number of years (five perhaps?), the publishing house that owned the rights to her book dropped it from annual lists until she despaired of it ever being published. It eventually was published and won awards. I’ve spoken with other authors and learned of similar time-consuming and soul-stealing experiences with traditional publishing.

With my background in economics and lifetime of financial analysis, I spent some time considering the benefits and costs of pursuing the traditional publishing model versus self-publishing versus small press publishing and decided the small press publishing model offered the optimal solution for me. Time was and is my most precious resource and traditional publishing, even in the best-case scenario, requires more time from book completion to publication than I’m willing to accept. Furthermore, all publishing models, including traditional, require the author to engage significantly in the advertising and marketing of her book. For me, the reward-risk ratio excluded the traditional publishing model.

Fortunately, I met my publisher, Meredith Maslich, CEO of Possibilities Publishing Company (PPC), at the 2013 Fall for the Book Festival at George Mason University. I liked her business model and I respected her vision. Furthermore, PPC is a local publisher. PPC is hands-on and author-centric. Within one year of signing a contract, my first novel, Wissahickon Souls, was published. A little over a year later, my second novel, Becoming Jonika, was published. In July 2016, a collection of short stories, Wishes, Sins and the Wissahickon Creek, is scheduled for publication. It’s inconceivable that my work would be published so expeditiously following a traditional model.

What have been the best and worst parts of your publishing journey?

The best part of my journey is the respect, integrity, and commitment of Meredith Maslich, my publisher. In addition, Kirsten Clodfelter, a Mason MFA grad, has edited my novels and is a joy to work with.

I don’t know that I’d call it the worst, but certainly the hardest part of this journey is advertising and marketing. I’m no good at it. And since my publisher, PPC, is a young company, we’re struggling together to figure out how to get my work and other PPC authors’ work noticed by a wide audience. I admit that I don’t have the knowledge, skill, or even inclination to utilize social media as a means of reaching a wider audience.

What are you working on now?

I’m completing the final requirements for the upcoming short story collection—Wishes, Sins and the Wissahickon Creek. As soon as I can, I’m returning to the magical realism novel I’ve been working on. I can’t wait to get back to it.

What advice do you have for others (publishing, writing tips, inspiration, etc.)?

Writing is work. It’s often joyful, fulfilling, and gratifying. But it’s work. Some days each sentence is a struggle. But if writing is the work you love and the life you desire, then you have to go for it. I advise writers to study the craft—through books, conferences, and other writers. My breakthrough came after I studied story structure. One craft book I often refer to is Oakley Hall’s How Fiction Works. I believe a writer has to find her or his own inspiration. Mine is the little memo book with stories I wrote at age five, which my mother saved all her life.

My advice on publishing is that I don’t have any advice. My decision to go with a small publisher was based on a concept I learned in economics—optimizing my personal objective function. If you can stomach considering that concept, then figure out what’s your most important objective for your finished work and what you’re willing to sacrifice in order to reach that objective. Then go forth.

 

Five Secrets of Highly Successful Writers

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If you have five minutes, sit back, close your eyes and listen to some audio advice from novelist Michelle Richmond. Her topic: simple tips on how to become a more effective writer!

Need some of those. Thank you.

Michelle is the New York Times best-selling author of The Year of Fog, and of Golden State, No One You Know, Hum, Dream of the Blue Room and The Girl in the Fall-Away Dress.

She’s also my publisher at Fiction Attic Press.

Now press play and close your eyes.

— Karen

Commercial? Upmarket? Literary?

Of course we all know the differences, right?

Maybe.

Way, deep down.

But in case you’re curious to see them explained succinctly, in colorful little infographics with real-world examples no less, take a glance at these little gems.

Originally posted by Women Fiction Writers, who credit agent Carly Watters for their creation. God love them.

commercial fiction

upmarket fiction copy

literary fiction copy

Writerly New Years Resolutions You Ought to Try

Bystanders_SM

As we gear up for a new year, Tara Laskowski, author of Modern Manners For Your Inner Demons (Matter Press 2012) and the forthcoming Bystanders (Santa Fe Writers Project 2016) is kindly sharing some suggestions that will benefit your craft, as well as your karma.

Happy Writing in the New Year. Make 2016 your most productive—and more importantly, most fulfilling—yet.

Please welcome Tara to Write Despite.

***

Yep, it’s that time—to commit to something (or several somethings) that you’ll accomplish over the next year. To change the ways that you’re less proud of. To start over, reset, renew.

Only 8 percent of people are successful in achieving New Years resolutions. Perhaps this is because we dream too big and set ourselves up for failure? Whatever the case, I’m presenting to you some resolutions that I’ve tried in the past or would like to try this year. Some are bigger, and some are tiny—and achievable—I swear! I hope they spark some ideas for you and make your 2016 full of happy reading and successful writing.

Re-read a book you love. If you’re at all like me, you’ve got a stack of books somewhere that you want to get to, but can’t ever seem to. You can’t really imagine taking the time to go back and read something you’ve already read, even if you love it.

Well, give yourself permission to do it. For every two or three new books you read, re-read something you love. I have started re-reading The Chronicles of Narnia by C.S. Lewis again, and it is giving me such pleasure to revisit these characters. Also on my list—Mrs. Dalloway, the Harry Potter series, Breakfast at Tiffany’s, and The Secret History.

Subscribe to a literary journal. Lit magazines are struggling. They get more submitters than subscribers in many cases. Find one that you love, and buy an annual subscription. Then read it. If you find a story you really love, email the writer and let him or her know.

Swap favorite books with a writer friend. Ask your friend to name two books that changed her life (that you haven’t read yet.) Then give her two books that you adore that she hasn’t read. Read them. Discuss over drinks and sweets. Consider your life changed and enriched.

Write something outside your genre, just for fun. Normally write novels? Try flash fiction. Are you a poet, always a poet? Why not write a crime fiction story? Instead of science fiction, ground yourself in reality for a time. Pulling out of your comfort zone can get your brain thinking in different ways. A bonus: it also takes the pressure off and gives you the freedom to just explore for a while.

Several of the stories in my new collection exist only because of this experimentation. The story “The Monitor” was my attempt to write something with supernatural elements in it—a woman who starts to see a ghost in her baby monitor. The story ended up getting taken by Alfred Hitchcock Mystery Magazine. Another story, “Every Now and Then,” was the result of me messing around with writing modular stories—a form I’ve grown to love. If I hadn’t tried to break out of my writing comfort zone, these stories wouldn’t exist.

Review books on Amazon. This is a really easy and cheap way to show love to the writers you know and adore. There are many articles out there about why and how Amazon reviews are good for the writer. Take five minutes and write a thoughtful, honest review of a recent book you read and post it on Amazon—and Goodreads, too! I promise you that you will make that writer’s day.

Finish that one project that’s lurking behind you. Maybe it’s the novel you’ve been writing for seven years, or the story where the concept is great but you can’t get the ending right. Or the collection of short stories that needs three or four more to flesh it out. Whatever the writing project, make 2016 the year to tackle it. And then go for it. You can do it. I’m cheering you on!

"Tara Laskowski"

Tara Laskowski grew up in Northeastern Pennsylvania and now navigates traffic in the Washington, D.C. suburbs. She is the author of Modern Manners For Your Inner Demons (Matter Press 2012) and the forthcoming Bystanders (Santa Fe Writers Project 2016). Her fiction has been published in the Norton anthology Flash Fiction International, Alfred Hitchcock’s Mystery Magazine, Mid-American Review, and numerous other journals, magazines, and anthologies. Since 2010, she has been the editor of SmokeLong QuarterlyShe and her husband, writer Art Taylor, write the column Long Story Short at the Washington Independent Review of Books. Tara earned a BA in English with a minor in writing from Susquehanna University and an MFA in Creative Writing from George Mason University.

Fall for the Book Festival

If you find yourself in the metro D.C. area next weekend, please stop by for my reading at the Fall for the Book Festival. It’s a week-long fest hosted by my MFA alma mater, George Mason University. I’m reading at 1:30 on Saturday, Oct. 3, with two fellow alumni. All details on the Festival’s site.

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Cathy, also a GMU alum, will be on hand. We were roommates for two-and-a-half years, and now we’re both hoping to reconnect with old friends and meet some new ones.

Check out this stellar lineup of participants.

Hope to see you there!

— Karen

Writing Conference Takeaways

conferenceFrom Cathy

I recently attended a great writing conference in Washington, DC and swore I’d go straight home and compile all the information for Write Despite and post it ASAP.

That was in April.

But hey, I’ve finally done it.

At the Conversations and Connections: Practical Advice on Writing conference, I took pages of notes, and I highly recommend you do this too if you attend a conference yourself. I can’t believe what great little gems were included in my notebook and in the handouts from the sessions, all of which I would have forgotten about if I hadn’t re-read them, and then re-keyed them for all of you. So thank you. And you’re welcome.

From the panel Cross Genre: Tricks Fiction Can Steal from Nonfiction (And Vice-Versa)

This was a panel discussion with writers Roy Kesey, Tom Bligh, Kathleen Wheaton, and Eric Boyd. I took down some cool, inspiring quotes. Sorry I didn’t also take down who said them.

  • “Use truth in your story, and something will happen.”
  • “Pretend you’re in a bar, and write like you’re talking to the person next to you.”
  • “Believe that you’re writing the news of the world. Whatever you’re writing is universally shared. Believe it, and your writing will be richer.”Just Believe
  • “You can’t spell authority without ‘author.’ The reader must believe what’s happening. Do your best; let life do the rest.”

From Publishing: The Editor’s Panel

Editors included Rae Bryant, TJ Eckleberg Review, Sarah Boyle, The Fourth River and Pank, Mark Drew, Gettsyburg Review, Nate Brown, American Short Fiction, and J.W. Wang, Juked and Potomac Review

The panel was asked to tell us a bit about the nuts and bolts of submissions.

Brown: American Short Fiction gets about 8,500 submissions a year, 250 a month. Three editors decide on the stories, and all must agree on what they choose to publish.

Boyle: Pank reads July 1 to September 1 and in December. If a story gets two likes from our student editors, it goes to the genre editors, and they decide.

Drew: At Gettysburg Review, two editors make all the decisions, but interns pass them along first.

Wang: Initial readers look at stories, but I choose all of them, and therefore the editorial focus is very tight and distinctive.

What exactly are you looking for?

Drew: Openings are important, but the writing must be sustained. Language is the most important thing. It can’t be clichéd, and no grammatical errors. Interesting characters and compelling motivation are also big factors.

Brown: The sentence matters most. String enough good ones together, and the story will be published. I can’t care more about the piece than the writer does.

Wang: Voice. Must be confident and assured, so I can trust it to take me somewhere.

All agreed they want authority of narrative.

What if things in a story put you off, say an unlikable character or upsetting event?

WarningDrew: If it’s authoritative, I’ll stay with it. But it must be earned. Things like animals being killed in stories has been way overused.

Wang: Like it or not, every story is political.

Brown: The higher the moral stake, the better the writer must be.

Boyle: I won’t publish certain stories, such as those that contain violence against women, animals, or children. But it’s selectivity, not censorship.

From Scene-by-Scene: Writing the Irresistible Story

Panel discussion with writers Laura Ellen Scott, Jen Michalski, Lauren Foss Goodman, and Catherine Belle

The most important person to have in a scene is the reader. Bring them there. You want them to experience it, not just read about it, by:

  • Using their physical senses
  • Giving them a position, a point of view
  • Giving them some attitude
  • Not telling them everything; leaving something out, and leaving it up to them, so they have to make an investment

Quick notes on scene building:

Consider the large structure and the relationship of the scenes within it. Use the “Scene plus Sequel” pattern, which is:

  • Each scene includes a goal, conflict, and disaster.
  • Each sequel includes reaction, dilemma, and decision.

The job of a scene is to:

  • Advance the story
  • Show conflict
  • Introduce or develop a character
  • Create suspense
  • Create atmosphere
  • Provide information
  • Develop theme

Remember that:

A scene should start with action. Use it to differentiate your characters. They should each move and speak differently.

If you’ve set a scene somewhere unusual, really describe what it’s like. But if you’re at McDonald’s, leave out lots of description, because it’s unnecessary.

A character wants something to happen. Your job is to never allow this to happen until the end. The story is the struggle to get there.

Go paragraph by paragraph through your work and ask, What work is this paragraph doing for the story? If nothing, toss it. If something, refine it or maybe move it, based on the task it’s completing.

Tips for organization:index cards

  • Write and write a shitty first draft, then go back and craft it into something. Get organized by using index cards. Not only do they force you to be succinct, but you can color code them by theme, time, and character. Use them for a “reverse outline” (where you start from something instead of nothing). Then turn them around and shuffle them up to mix up the plot.
  • Use a word processing program like Scrivener. This solves organization problems. It gives you a binder, chapters, bulletin board of notecards, pictures that inspire your work, an archive for your research, tutorials, a note taking tool, etc., all for $40. Or you can try WriteWay Pro, WriteItNow, or yWriter5 (which is free!).
  • Try flow charts: Draw the structure to re-see your work off the screen and think about it differently. Use Google drawings, or mind mapping apps like Scapple and Scrivener.
  • Use a spreadsheet to create a scene list, or a “God’s eye view” of a story. Color code it.
  • Get project management apps like Workflowy and Trello.
  • Or use content curation apps like Pinterest, Scoop It!, Flipboard, etc., and social bookmarking apps.
  • Google Apps Suite is cloud-based and free, and lets you work from anywhere.
  • Try the snowflake method for designing a novel.
  • Stuck? Bored? Come up with new ways of seeing your story: Print it. Draw it out. Change the font. Read it out loud. Record it. Carry it around and touch it. And don’t forget to share it when you’re ready.

Multiple Points of What-Am-I-Doing

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Okay, so who told me to write a novel with multiple, third-person points of view? Three, to be exact. I’ve never attempted multiple viewpoints. It’s a whole new narrative world.

While I’m enjoying the separate viewpoints, I’m not so sure I’m merging them in a very, um, skillful way. But that’s what revision is for, right?

I’d forgotten what it’s like to be smack in the middle of a first draft—when the thing is unfolding, but you don’t know where it’s taking you. First drafts are a hot mess—as the current lingo goes—an untamed rush of great flailing promise, over abundance and poor judgment. I’ll worry about reigning it in later.

When I’m feeling especially lost, though, I recall the great novelist E.L. Doctorow’s words on first drafts. Doctorow passed away this month at the age of 84. R.I.P.

“Writing a novel is like driving a car at night. You can only see as far as your headlights, but you can make the whole trip that way.”

–Keep the faith, friends,

Karen

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