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Archive for the category “Novel”

Step-by-Step

–From Karen:

Cathy has been basking in glory lately, what with her new novel, all her cool readings and interviews, not to mention her latest score—a flash fiction honorable mention in the acclaimed Glimmertrain magazine.

I could be envious, if I had the time.

But slogging my way through the middle of a comprehensive novel manuscript rewrite—yes, line-by-line, adding new scenes, reworking a viewpoint, the whole shebang—has me just a tad too occupied.

I’m making steady, if slow, progress, but I’m not complaining. My mantra these days: one foot in front of the other—make each scene, and each bit of connective narrative glue, as  compelling as possible.

Of course, I am taking some breaks. My family recently spent a weekend hiking in New Hampshire’s gorgeous White Mountains, where I stumbled (yes sometimes literally) upon a nifty rewrite metaphor: the steep, boulder-strewn trail we climbed.

Okay, it’s a little corny, but also kind of apt, and you can’t beat the scenery.

Our hiking route was the Tuckerman Ravine Trail, which winds up the infamous and awesome Mount Washington. Here are a few milestone markers that—when you’re eyeball deep in a big rewrite—resonate both on and off the trail.

 

gotta start

Chapter One, get moving. The Mountain—like the last page—won’t come to you.

 

2 keep going

Picking up speed, but pace yourself. One scene at a time.

 

3. early moments of inspiration

Moments of early inspiration.

 

4. gaining altitude

Look out for those rocky patches, and there are a lot of them.

 

5. uphill climb

This is called an uphill climb, dig deep and keep pushing.

 

6. a rest

Save your file, time for a coffee break. God bless the team that pitched these shelters along the mountain trail.

 

7. the end in sight

The end is in sight. Your feet are sore and your legs ache, but there’s no way you’re quitting now.

 

the end

The end: A view worth climbing for. The manuscript’s ending? I’ll let you know when I get there.

 

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Book Group Fun

From Cathy:

I just want to say: Book groups rock!

I had a blast with the coolest group of ladies this week. They not only had me come to speak about my book A Hundred Weddings with three combined book groups in their neighborhood, but they put out a food and beverage spread you wouldn’t believe–one of them even brought a wedding cake with bride and groom on top!photo (4) (1)

The best part was they brought pictures from their own weddings and challenged each other to see how many people could guess which bride was which. So very fun! They had great questions for me too, and I hope they all enjoyed the discussion.

photo (6)On June 4 I’ll be having a reading/signing at The Writer’s Center in Bethesda, Maryland. Please come out if you’re in the area to meet with author Andrew Gifford and me.

On the progress of current work, I’m now 25 pages into the new book. Yeah, it’s not much, but it’s a start. Karen is on her second or third rewrite of the full manuscript, and it’s a good one, I promise.

Oh, and I now have this awesome little video about my book on Youtube:

How goes it with you? Hope you’re renewed by the spring weather and working away.

Write well, everyone!

–Cathy

—From Cathy

A quick bit of book news:

imagesAn interview I gave on the Authors Show radio program will air tomorrow. Give a listen to this Q&A (about 10 minutes long), where I talk about my novel A Hundred Weddings and how it came to be! This will be up on their site for 24 hours. (No fair making fun of how lame I sound).

red_logoAlso, I’ll be reading at the Writer’s Center in Bethesda, Maryland, on June 4 at 2 p.m. with Andrew Gifford, author of We All Scream: The Fall of the Giffords Ice Cream Empire. Please come out to see me if you can!

 

Takeaways from AWP 2017

—From Cathy

AWP17Thumbnail (1)The Association of Writers and Writing Programs (AWP) Conference happened a little over a month ago (February 8-11 in Washington, DC), and in addition to all the books, journals, and souvenirs I dragged home, I also took a ton of notes during the sessions and readings, and finally dug them out. Here are some of the best quotes, overheard remarks, and tips, most of them without attribution. Some are true gems, so please enjoy these takeaways from some great conversations about writing and publishing.

Turning Flash Pieces into a Novel, Novella, or Memoir
(Panelists: Abigail Beckel, Kelcey Parker Ervick, Lex Williford, Tyrese Coleman, Tara Laskowski)

“Prioritize clarity over adherence to the form.”

“Flash eliminates all the boring parts.”flashfiction

Try writing flash stories and connecting them together for a novella or novel. This retains the strength of voice and character, and the overall tension of the book will join them and progress the story forward. (Voldemort is the big tension, little problems along the way are the smaller ones.) Tara Laskowski recommends The Desert Places as a great example of a hybrid text novel.

We All Have to Start Somewhere: How Bad Writing Gets Good
(Some raw language in this one. Oh, those bawdy writers.)
(Panelists: Melissa Stein, Richard Bausch, Tayari Jones, Natalie Diaz, Nick Flynn)

Fifty Shades of Gray reads like somebody shat it out.”

“Give yourself the freedom to suck.”

“You cannot fuck it up. You can’t ruin it. You can only make it necessary to do it again.”

“Your writing isn’t bad, it’s just off. Like a sweater buttoned the wrong way. Unbutton it. Rebutton it. It’s a perfectly fine sweater.”

Always read your work aloud.”

Recommended book: The Artist’s Way  by Julia Cameron

Distinguished Editors Panel, featuring Nan Graham, Daniel Halpern, Jonathan Galassi, and Erroll McDonald

“The author/editor relationship is like an arranged marriage.”

“Voice and territory, more than structure, are the criteria by which I judge a book. Structure can be fixed. But you can’t fix writing that’s not fresh, that’s been done before.”

You know a story is done when others you show it to disagree about what needs to be changed. If they’re all telling you a character isn’t strong enough or the pacing is slow, for example, believe them and fix the problems. But if they’re all telling you something different, it’s probably finished.

A Novelist’s Job: The Realities, Joys, and Challenges
(Panelists: Miranda Beverly-Whittemore, Nicole Dennis-Benn, Julia Fierro, Celeste Ng)

Being busy, working, having a job, makes you more productive in your writing.

Do not think about writing a successful book. Just “be true to the work.”

Do social media in an authentic way. Use it as a place of community. If you feed into that world, it will work for you too. Help other writers (with reviews, promotion, comments, etc.) and they’ll help you.61399611

On creating more spaces/avenues for writing to exist: “We’re all fighting hard for a piece of pie, when actually there is no pie. Your job is not to get your piece, but to make more pie.” –Celeste Ng

Also try to post enough to stay connected with people, but don’t make it seem like a sales pitch. Tweet an overheard conversation. Do a daily task, like Ellis Avery who posts a haiku every day. Another writer posts dog pictures (often with a link to his book) every day.

Loose, Faithful, and Literal: Adaptation from Novel to Screen
(Panelists: Christine Vachon, Neal Gabler, Magdalene Brandeis, Melissa Bank)

Screenplays make you focus on the narrative—how to bring character and plot into what can be seen and shown.

images“In a movie, action is always character.”

One panelist says she tells her students not to call themselves “filmmakers” but “storytellers.” Because there are so many different forms (like streaming services) today to bring stories to life.

A movie is a “jolt,” whereas a TV show is a life. Characters grow incrementally, and that’s a “novelistic sense of life in real time.”

NO screenplay should be more than 110 pages!

By the time the Q&A rolled around, it was apparent everyone listening to this panel was there to ask the same question: How do you get your screenplay seen? Sadly, the answers were pretty vague.

“If you’ve written ‘trash’ like The Godfather, you may be lucky enough that someone will turn it into gold.” —Neal Gabler

Write a two-page summary of why this should be made into a film. Send it to a producer you think would be interested. A 20-something intern will likely read it, and will pass it along (or not) to the producer. Melissa Bank, author of Girls Guide to Hunting & Fishing, sent a story to Zoetrope. They put her in touch with Coppola.

Ask yourself who’s your dream director? Actress? Work on those connections. “I wrote this for you and here’s why.”

“Great works rise to the top. Books come to our attention through coverage, reviews, agencies, recommendations. It just happens.”

Um, yeah. But how do you get your screenplay seen?

“It’s difficult to get things read, and to work with and without an agent. The only sure way to do it is to make the film yourself.”

Kirkus Reviews was recommended as the primary route for movie companies to see synopses of stories that might intrigue them.

Foremothers: Southern Women Writers
(Panelists: Charlotte Holmes, Cary Holladay, Lisa Parker, Lisa Roney, Adrienne Su)

A panelist talked about her mother, whose family moved from the south when she was young. The kids in her school couldn’t understand her because of her southern accent, so she stopped talking—for a year. She read books out loud, practicing in her bedroom, until she lost her accent.

Read Katherine Stripling Beyer, a writer similar to Lee Smith.

One panelist recalled how Lee Smith studied at the Sorbonne and loved to let people there hear her talk. She could see them taking her IQ down about 20 or 30 points as she spoke. Then she would say something that would “take them out at the knees.”

Live outside the world of your past, but find your background. You have to get away from it to look back and find your voice.

Recommended books:

The Dollmaker, Harriette Arnow

Killers of the Dream and Strange Fruit, Lillian Smith

Trampoline, Robert Gipe, on duality of Appalachia

Panel: Conversation with Ann Patchett and Emma Straub

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Emma Straub, Ann Patchett

“Don’t think, what type of book should I write? Writing is most successful when it sounds the most like you. When the voice is right, it feels alive.” –Straub

“Fiction is a way we can play out an alternate universe. Like in It’s a Wonderful Life. If I’d taken a left instead of a right 20 years ago…” –Patchett

Book lovers want something smart and funny. Where’d  You Go, Bernadette?, Cold Comfort Farm, The Vacationers…things they feel proud for having read. Makes them feel great. –Patchett

Ann Patchett talked about her bookstore, Parnassus Books, in Nashville. Her upcoming picks for best reads:

Lincoln at the Bardo, George Saunders

Chemistry, Weike Wang

Do Not Become Alarmed, Maile Meloy

Sing, Unburied, Sing —“a Beloved for this generation,” by Jesmyn Ward

The Leavers, “depressing but great,” by Lisa Ko

Patchett was asked about the new administration and one thing she’d advise writers and book lovers to do to resist and to make a difference:

“Open a bookstore. People don’t want to be alone. You can’t go to J Crew and come together. At a bookstore, everybody is welcome. And it feels wonderful to have community right now.”

 To the Finish Line: Completing and Promoting the Novel
(Panelists: Melissa X. Golebiowski , Cynthia Bond, J. Ryan Stradal , Katie Freeman, Carmiel Banasky)

“My goal is to get 50 rejections a year.”

Check out the Hot Dish reading series in LA. Maybe start something similar in your town?

The Ten-Year Novel:
On why some novels take so long to write, and what writers can do to sustain themselves. (Panelists: Tova Mirvis, Rachel Cantor, Rachel Kadish, Joanna Rakoff, Sari Wilson)

“It’s the persistence that makes you a writer.”

“My sense is that publishing has changed to the point that, a few years ago, an agent might say this book isn’t quite where I want it to be, but I’ll work with the author a year or so and get it there. No more. Books today need to be as finished and polished as possible before they’re ever sent out.”

cropped-gritlit-logo1Such Mean Stories: Women Writers Get Gritty:
Women writers of the south talk about “grit lit.” (Panelists: Luanne Smith, Jayne Anne Phillips, Vicki Hendricks, Stephanie Powell Watts, Jill McCorkle)
“If we think about the reader as we’re writing, we’re putting blinders on ourselves as writers.” –Jayne Anne Phillips

“There is true fear about the power of women.” –Watts

“In fiction, I love to have that alter ego character who rises up and defends herself.” –Jill McCorkle

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Jill McCorkle

“I’ve probably learned more from my characters than they’ve ever gotten from me.” –Jill McCorkle

On unlikeable characters:

By giving readers the history of unlikeable characters early on, they reveal a life, and it makes the characters human. So even if it doesn’t excuse their actions, it helps readers understand why they are the way they are.

Recommended story: “Lechery” by Jayne Anne Phillips

Recommended book: No One Is Coming to Save Us, Stephanie Powell Watts, E-Weekly Most Anticipated Book.

Next year’s AWP Conference is in Tampa. Go if you possibly can. You won’t regret it!

Deep in the Rewrite Trenches: A Little Inspiration from Author Richard Bausch

the-rewright-40x27-2015From Karen:

So I’m neck-deep in the third rewrite of my new novel. How’s it going? Slowly, occasionally painfully, and all I want is to be done with it. I’m fighting my usual impulse to speed ahead, and instead slow down and stay in the scene. I’m winning the battle—some of the time.

Ever been there? It’s not that I don’t like the story. I do, very much., I’m just not convinced that my skills aren’t doing it justice. And then there’s the old “Just because I like it, doesn’t mean anyone else will.”

At times like this, I like to hop onto the Facebook feed of my old MFA writing professor Richard Bausch. A master himself, Dick is also honest about how hard this is, and he doesn’t mince words. He sets you straight, in the best possible way. All these years later, I want to say, “Thank you, Dick. Your influence is still resonating and more important than ever.”

Check out some of Richard Bausch’s rewrite advice:

“In revision, try not to think of the long outcome much. Just concentrate on this morning’s work. Just be faithful to that. Try to be as good as you can be without straining it: “This morning, I’m just going to mess with this scene. See if I can get it right, or clearer, or sharper. I’m only going to think about that. And when I’ve put in my two hours, I’m going to forget about it and enjoy things without reference to the work. The work’s done for the day. And tomorrow, I’ll come at it fresh. I don’t have to write the whole thing in one morning, so I won’t think about the whole thing. Just this. This here, this morning’s work.”

“About the heavy doubt: it’s normal; it’s the territory, the province, the wallpaper in what Jim Dickey called the cave of making. It is your talent itself that produces it. So write through it. Do the work. If you let it stop you, if you let it make you hesitate, you’re making the first and most elemental mistake, and you’re acting like a dabbler, an amateur. This day’s work. Each day.”

 “Be patient, yes, and how hard that is, especially when it’s yourself with whom you have to be patient. It’s very hard, of course. But nobody ever said it would be easy. And one of the traps we fall into is thinking too much about the result–whatever we imagine or hope that might be. The real thing happening is that you are using your time in a way that answers you deep, no matter what fits it gives you, and it always feels better to have worked in a given day, no matter how badly the work seemed to go or how hard it was. To engage in the activity at all is to do something sustaining; and in fact it gives meaning to everything else. That’s why I keep repeating the mantra: this day’s work. Just this day’s work. Did I work today. If the answer’s yes, no other questions. It’s enough. Try to forget about it and go have fun–enjoy that most delicious feeling of wasting time when you have used it well earlier.”

“Someone told you somewhere, or inadvertently communicated to you sometime, that it would get easier? It gets harder, because you know more. Instead of putting down the first or second line that occurs to you IN REVISION, you think of fifty-five others that each have their advantages and disadvantages, and you start really getting down into the deeps of it, including what it is you are seeking in terms that have nothing to do with the STORY: you want others to know how deeply sympathetic you are to human troubles; you want others to have a sense of the sorrows you carry around like everyone else; you want others to know how much you know; you want others–even this–to see what you can do with a sentence, with your extensive vocabulary and your gift for metaphorical speech–and all of that has to be subordinated to the demands of the STORY that you are not even, quite yet, sure of. No, it will not get easier–its complications will change away from the ones you had when you were new; but these complications multiply, and exacerbate themselves as you grow. What you can do, simply, is accept this, and do the work. Even when it seems completely closed to you. Accept it as your destiny as an artist and go on with it. You’re not experiencing anything that everyone else hasn’t also experienced. Remember Joseph Conrad, having his wife lock him in a room and then shouting “Let me out. I’m a fraud. I never could do this.” And he was working on his twelfth novel.”

“I think that no matter how hard it is and no matter how difficult the subject, and no matter how dark your vision, writing a novel is always an act of optimism, even of faith–a generous expansion of one’s being toward something outside the self, and by definition, then, a giving forth for others of your kind. Inherently beautiful and valuable as an occupation, even if it takes years, and, yes, even if no one ever sees it. And, too, even if it is destined to be forgotten, to disappear. Wright Morris: two National Book Awards, one as a photographer, sixteen novels. Gone. Vance Bourjaily, Thomas Williams, William Goyen, George Garrett–one can’t find the books. And they were such wonderful writers. So, do the work for itself. And fuck all else. Make the record, and stop worrying about your place in the scheme of things literary.”

“I used to have terrible anxiety before I’d start a session of work–this was after Iowa, and I was thirty and should have known better. I’d pace and sigh and get a stomach ache, afraid it wouldn’t go well. Such a waste of energy, and what a lot of hell I put myself through, like some atavist cowering at a shape in the clouds. I should’ve been saying prayers of gratitude for the chance to fail my way toward something beyond me. Just for the happy fact that I had this work to do, and a place to pursue it, the need to try. I should’ve been celebrating that.”

A Launch to Remember

From Cathy:

Happy new year to all!

Hope you had a great holiday, did a lot of eating and sleeping and partying—and maybe even got a little writing done in between.

For me, December wasn’t just marked by the arrival of the Big Guy, but also the long-awaited release and launch of my novel A Hundred Weddings. Karen joined me at the launch—devoted friend that she is—and as I said when I took the stage (which is NOT something I ever look forward to doing), it felt like I was at my own wedding. Friends and family and so many people I loved were there at the uber-cool Epicure Cafe, plus a lot of new faces too. It was straight-up fun and cool, and a night I’ll always remember. Here are a few pictures.

Since then I’ve had the amazing experience of hearing from people who’ve read the book. I can’t explain how great it feels to get a call or text or email from someone who just finished it and had to tell me how much they enjoyed it. (Of course, they’re not going to call and tell me they hated it, but you get the point.)

By the way, if you have read A Hundred Weddings and you did enjoy it, would you please pop over to Amazon and leave a quick review for me?

hearthside-booksIf you happen to live in or near Bluefield, Virginia, my hometown, you can grab a copy from lovely Hearthside Books at 1603 Bland Street, which was kind enough to put a couple on the shelves for me. They’ve now announced they’re closing and are having a 25% off storewide sale, so you can snag it for even less. But hurry!

That’s it for now. Hope you all have a year filled with creation and brimming with ideas and fun.

Write well, everyone!

—Cathy

 

 

What’s coming up? Click HERE

From Cathy:

Hi all! Just a quick post with a few updates.

a-hundred-weddings-final-coverMy novel A Hundred Weddings will be released in paperback the day after tomorrow, on December 15. You can pre-order it here. (Kindle version is already available here.)

Goodreads is now sponsoring a giveaway of six free, signed copies. You can enter that here.

Launch party is this Friday, December 16, from 6 to 7:30 p.m. at Epicure Café in Fairfax, VA. Copies of the book will be available for purchase (free drink ticket if you buy one)! Incidentally, if you plan to attend and haven’t yet RSVP’d, please leave a message in the comments here, or email us at writedespite20@gmail.com.

weddings-release-twitter

I think that’s it for now. As always, thanks so much for your continued interest in and support of my work. Wishing you all a wonderful holiday. Write well, everyone!

—Cathy

Events & Dates & Things

–From CathySo many weddings, so little stomach for them.

Hi all! Just a quick post to wish you well and look in on you after this wild ride of an election. Everyone okay out there? Taking care of yourselves and each other?

Good, just checking.

So I had a great time reading at George Mason University’s Fall for the Book festival on September 30. Due to my switch in publishers, I was only able to hand out these nifty little “save the date” bookmarks instead of actual books.

Cathy Cruise, Fall for the BookBut it was fun being able to read a chapter and to see friends, colleagues, and family all together in the same room.

A Hundred Weddings is now available for pre-order on Amazon. The e-book comes out December 1, and the print book December 15.

Cathy Cruise, Fall for the BookThe book launch is scheduled at Epicure Cafe in Fairfax, Virginia, on Friday, December 16 from 6 to 7:30 p.m. If you’re in the area, please stop by to say hi or introduce yourself!

I’ll be posting additional dates and announcements on my websiteFacebook page, and on Twitter.

As always, many, many thanks for your continued interest and support. Wishing you all a great holiday season, starting with a very happy turkey day.

Write well, everyone!

–Cathy

 

From Limbo to Publication

From Karen:

We’re giving our heartiest congratulations to first-time novelist Magdalena Waz whose novel, Return on Investment, won the Fiction Attic Press Debut Novel Contest this year. Fiction Attic, headed by founder Michelle Richmond, is publishing some of the most interesting new fiction out there today.

Magdalena’s smart new novel is a great example. Magdalena’s work has also appeared in Threadcount, The Collagist, and Rabbit Catastrophe Review. She is currently the Features Editor at Bushwick Daily.

Here, she discussed the uncertain journey to publication and the stuff you learn along the way.

Please welcome Magdalena to Write Despite.

return-on-investment-red-coverEvery manuscript has a different path to publication, and every writer has a slightly different battle to fight when it comes to choosing one or choosing to take any at all. Writing Return on Investment was far easier than coming to terms with the fact that it was getting published. This was the first novel attempt I had actually completed and the first time I had committed to some kind of story arc for more than 20 pages.

Some of these chapters are three and a half years old; some are two years old. Some of them have been edited four to five times and drastically; others have been tweaked in small ways that likely only matter to me. I could have lived in that limbo-y “it’s not quite done yet” stage for years.

But I was done with grad school, working odd jobs, having trouble focusing on new and old projects alike. The only logical solution at the time was to submit any writing and fill those free hours with something that felt like action.

Of course, anyone who has submitted stories, poems, or manuscripts to contests or journals knows how little action there really is. I was addicted to those short moments of exhilaration: the moment when I hit submit, and the moment when I saw an email notification from Submittable.

I had sent in my manuscript to Fiction Attic’s contest on a whim one summer soon after signing up for a weekly newsletter called “Sapling” which curates a short selection of submission opportunities, contests, and interviews with editors and publishers (I highly recommend it).

I found out over Thanksgiving weekend. I was admiring my mom’s new dining room table when I got the notification, and I read the email multiple times before I shared it. And then for months I did not believe it was real. There were whole days where the limbo voice woke up somewhere in me and insisted I was rushing, that I hadn’t sat on the manuscript for long enough, that I hadn’t written the whole story.

But this process has been very informative. This particular manuscript’s path to publication taught me that I am happiest when I am sharing what I write. Giving my writing a public life is what motivates me to write more. Without feedback in a workshop, I would have never finished the manuscript in the first place, and without taking the plunge and submitting, I would have never figured out what I need to do in order to keep writing.

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Summer Reading

summer-reading-006Summertime and the reading is good this year. We’ve selected our seasonal picks, and will surely be spotted toting them on vacation and to neighborhood parks. Here’s what we’ve chosen:

 From Karen:

My extremely well read sister has shamed me into reading Proust’s Remembrance of Things Past. Okay, there are a few holes in my education. This is one I’m going to fill.

Then I’m onto two new novels that I can’t want to get my hands on. They’re from two of my favorite contemporary authors.

caninstrout

 

From Cathy:

My book group never fails to steer me toward books I certainly wouldn’t choose for myself, and usually end up glad to have read. The one I’m reading now is no exception. Even though I’m not much of a nonfiction reader, Missing Man, about a spy who disappeared in Iran, grabbed me from the start. I’ll pass it along to the hubby too.

man

After that somber read, I’ll need a pick-me-up. And my all-time favorite, Anne Tyler, is just the ticket with her latest–a modern-day version of Taming of the Shrew, coming out on June 21:

vinegar girl

 

 

 

 

 

What are YOU reading on the deck, at the pool, by the ocean? We need more ideas. Please leave us a comment and share your summer reading picks! (By the way, no need to insert your name or email address when you comment. Just type and hit Post.)

 

 

 

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