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Archive for the tag “writing tips”

Events & Dates & Things

–From CathySo many weddings, so little stomach for them.

Hi all! Just a quick post to wish you well and look in on you after this wild ride of an election. Everyone okay out there? Taking care of yourselves and each other?

Good, just checking.

So I had a great time reading at George Mason University’s Fall for the Book festival on September 30. Due to my switch in publishers, I was only able to hand out these nifty little “save the date” bookmarks instead of actual books.

Cathy Cruise, Fall for the BookBut it was fun being able to read a chapter and to see friends, colleagues, and family all together in the same room.

A Hundred Weddings is now available for pre-order on Amazon. The e-book comes out December 1, and the print book December 15.

Cathy Cruise, Fall for the BookThe book launch is scheduled at Epicure Cafe in Fairfax, Virginia, on Friday, December 16 from 6 to 7:30 p.m. If you’re in the area, please stop by to say hi or introduce yourself!

I’ll be posting additional dates and announcements on my websiteFacebook page, and on Twitter.

As always, many, many thanks for your continued interest and support. Wishing you all a great holiday season, starting with a very happy turkey day.

Write well, everyone!

–Cathy

 

Q & A with Author P.J. Devlin

pag–From Cathy

P. J. Devlin tells stories about relationships. Whether writing of a witch, a dwarf, an elderly woman, teenagers, or indentured servants, her characters exist in the Philadelphia of her birth and share her love of the Wissahickon Creek. She is currently working on her third book with Possibilities Publishing Company.

wissahickon coverWissahickon Souls is Devlin’s historical novel set in the early 19th century, which follows the life of a free black woman born to free black parents in Philadelphia. 

Becoming Jonika is her coming-of-age novel set during the cultural upheaval of the late 1960s.

Please welcome P.J. Devlin to Write Despite!

jonika cover

 

 

What is your writing process like?

The genesis of each of my stories, including my novels, comes from an image. Most of these images have bounced around my mind for years before they emerge and announce themselves as ready to write. For example, the short story titled “Original Sins” (which will appear in my short story collection to be published summer 2016), developed from a visit I made as a teenager to a house where statues of saints appeared in every nook and cranny. That image stayed with me for more than 40 years before becoming a story (unrelated to that household except for the statues).

Once I have a story idea, I need to visualize the last scene. I think of my writing process as being a journey and I want to know where I’m going before I start. I’ve come to realize my best work results from thinking through the entire story by way of structure—especially the three-act structure.

When I know the story ending, I go to my white board and note the story’s theme, characters, plot, and initiating incident. Then I make three columns and label them: Act I, Act II, Act III. In Act I and Act II columns, I list scenes and turning points. In Act III I list the final complication scene and the resolution. For a novel, I make a list of chapter titles as points of reference to help with the forward momentum of the story. Then I start to write. While my initial thoughts about story scenes change as the story progresses (the value of the white board is that it’s easy to erase), I find the time I spend before I get going to be my most valuable investment in the finished product.

Do you write every day?

A writer whose name I don’t remember was asked that question in an interview I happened to hear. He said his practice was to write 5 hours a day 5 days a week. That’s the model I try to follow, although many weeks I write every day, especially when I’m working on a deadline – self imposed or for publication. I work best in the morning, but those mornings when something interferes—a doctor’s appointment, a household repair, it doesn’t take much—I know I won’t be able to focus later on. Those days I read instead of writing. I read craft books as well as fiction and nonfiction.

Favorite five authors or books?

I love Stephen King, especially 11-22-63, The Stand, and It.

I’ve read most of Jodi Picoult’s novels. She’s a great storyteller.

Donna Leon writes wonderful, rich mystery novels set in Venice, Italy.

Octavia Butler, the first black woman to write sci-fi novels, is one of my favorite authors. Kindred is an important novel, in my opinion.

And George Mason University’s Susan Shreve is a brilliant writer—Daughters of the New World, A Student of Living Things, Warm Springs, and A Country of Strangers are my favorites.

It seems you came to be a writer later in life. Why, and how did you accomplish it?

I’ve been a writer from the moment I learned the alphabet and put pencil to paper. My mother saved a little notebook in which I wrote stories in a baby scrawl when I was five years old. I’ve always known my destiny is to write stories. I wrote stories throughout grade school, high school, and college. But I’m a practical person and before I started my junior year in college, I decided what was most important was to be independent with the ability to support myself and my family whether or not I was married. I changed my major to economics then and studied to earn a BA, MA, and PhD. While my husband and I raised our four children, I worked for Fairfax (Virginia) County Government as a financial analyst and for five of those years, also taught Economics at Northern Virginia Community College. But I never lost sight of my goal to write fiction. As soon as I put in enough years to earn my pension, in 2008, I retired from Fairfax County and entered the George Mason University Creative Writing Program. I knew I had some talent but I was well aware I lacked skill and craft. To the extent I’m now a published author, the Mason faculty and the writers I attended classes with have been instrumental in helping me find my path.

In many ways my ability to live the writing life now results from my youthful decision to live the earning life. I’m awed and impressed by my young colleagues who manage to write while raising their families and paying the bills.

Why did you choose to go the nontraditional publishing route and not through an agent?

At writers’ conferences, I always attended sessions with agent panels and those about finding an agent. (I casually spoke to a few agents and found them to be lovely people). I also attended sessions with newly published writers who’d found agents and who spoke about their experiences. Each of these authors told of years-long (eight years or more from novel completion to publication) struggles to find an agent, for the agent to sell their book, and for the publishing company to include the book on its publication list for an upcoming year. A Caldecott Award-winning author reported that for a number of years (five perhaps?), the publishing house that owned the rights to her book dropped it from annual lists until she despaired of it ever being published. It eventually was published and won awards. I’ve spoken with other authors and learned of similar time-consuming and soul-stealing experiences with traditional publishing.

With my background in economics and lifetime of financial analysis, I spent some time considering the benefits and costs of pursuing the traditional publishing model versus self-publishing versus small press publishing and decided the small press publishing model offered the optimal solution for me. Time was and is my most precious resource and traditional publishing, even in the best-case scenario, requires more time from book completion to publication than I’m willing to accept. Furthermore, all publishing models, including traditional, require the author to engage significantly in the advertising and marketing of her book. For me, the reward-risk ratio excluded the traditional publishing model.

Fortunately, I met my publisher, Meredith Maslich, CEO of Possibilities Publishing Company (PPC), at the 2013 Fall for the Book Festival at George Mason University. I liked her business model and I respected her vision. Furthermore, PPC is a local publisher. PPC is hands-on and author-centric. Within one year of signing a contract, my first novel, Wissahickon Souls, was published. A little over a year later, my second novel, Becoming Jonika, was published. In July 2016, a collection of short stories, Wishes, Sins and the Wissahickon Creek, is scheduled for publication. It’s inconceivable that my work would be published so expeditiously following a traditional model.

What have been the best and worst parts of your publishing journey?

The best part of my journey is the respect, integrity, and commitment of Meredith Maslich, my publisher. In addition, Kirsten Clodfelter, a Mason MFA grad, has edited my novels and is a joy to work with.

I don’t know that I’d call it the worst, but certainly the hardest part of this journey is advertising and marketing. I’m no good at it. And since my publisher, PPC, is a young company, we’re struggling together to figure out how to get my work and other PPC authors’ work noticed by a wide audience. I admit that I don’t have the knowledge, skill, or even inclination to utilize social media as a means of reaching a wider audience.

What are you working on now?

I’m completing the final requirements for the upcoming short story collection—Wishes, Sins and the Wissahickon Creek. As soon as I can, I’m returning to the magical realism novel I’ve been working on. I can’t wait to get back to it.

What advice do you have for others (publishing, writing tips, inspiration, etc.)?

Writing is work. It’s often joyful, fulfilling, and gratifying. But it’s work. Some days each sentence is a struggle. But if writing is the work you love and the life you desire, then you have to go for it. I advise writers to study the craft—through books, conferences, and other writers. My breakthrough came after I studied story structure. One craft book I often refer to is Oakley Hall’s How Fiction Works. I believe a writer has to find her or his own inspiration. Mine is the little memo book with stories I wrote at age five, which my mother saved all her life.

My advice on publishing is that I don’t have any advice. My decision to go with a small publisher was based on a concept I learned in economics—optimizing my personal objective function. If you can stomach considering that concept, then figure out what’s your most important objective for your finished work and what you’re willing to sacrifice in order to reach that objective. Then go forth.

 

Writing Conference Takeaways

conferenceFrom Cathy

I recently attended a great writing conference in Washington, DC and swore I’d go straight home and compile all the information for Write Despite and post it ASAP.

That was in April.

But hey, I’ve finally done it.

At the Conversations and Connections: Practical Advice on Writing conference, I took pages of notes, and I highly recommend you do this too if you attend a conference yourself. I can’t believe what great little gems were included in my notebook and in the handouts from the sessions, all of which I would have forgotten about if I hadn’t re-read them, and then re-keyed them for all of you. So thank you. And you’re welcome.

From the panel Cross Genre: Tricks Fiction Can Steal from Nonfiction (And Vice-Versa)

This was a panel discussion with writers Roy Kesey, Tom Bligh, Kathleen Wheaton, and Eric Boyd. I took down some cool, inspiring quotes. Sorry I didn’t also take down who said them.

  • “Use truth in your story, and something will happen.”
  • “Pretend you’re in a bar, and write like you’re talking to the person next to you.”
  • “Believe that you’re writing the news of the world. Whatever you’re writing is universally shared. Believe it, and your writing will be richer.”Just Believe
  • “You can’t spell authority without ‘author.’ The reader must believe what’s happening. Do your best; let life do the rest.”

From Publishing: The Editor’s Panel

Editors included Rae Bryant, TJ Eckleberg Review, Sarah Boyle, The Fourth River and Pank, Mark Drew, Gettsyburg Review, Nate Brown, American Short Fiction, and J.W. Wang, Juked and Potomac Review

The panel was asked to tell us a bit about the nuts and bolts of submissions.

Brown: American Short Fiction gets about 8,500 submissions a year, 250 a month. Three editors decide on the stories, and all must agree on what they choose to publish.

Boyle: Pank reads July 1 to September 1 and in December. If a story gets two likes from our student editors, it goes to the genre editors, and they decide.

Drew: At Gettysburg Review, two editors make all the decisions, but interns pass them along first.

Wang: Initial readers look at stories, but I choose all of them, and therefore the editorial focus is very tight and distinctive.

What exactly are you looking for?

Drew: Openings are important, but the writing must be sustained. Language is the most important thing. It can’t be clichéd, and no grammatical errors. Interesting characters and compelling motivation are also big factors.

Brown: The sentence matters most. String enough good ones together, and the story will be published. I can’t care more about the piece than the writer does.

Wang: Voice. Must be confident and assured, so I can trust it to take me somewhere.

All agreed they want authority of narrative.

What if things in a story put you off, say an unlikable character or upsetting event?

WarningDrew: If it’s authoritative, I’ll stay with it. But it must be earned. Things like animals being killed in stories has been way overused.

Wang: Like it or not, every story is political.

Brown: The higher the moral stake, the better the writer must be.

Boyle: I won’t publish certain stories, such as those that contain violence against women, animals, or children. But it’s selectivity, not censorship.

From Scene-by-Scene: Writing the Irresistible Story

Panel discussion with writers Laura Ellen Scott, Jen Michalski, Lauren Foss Goodman, and Catherine Belle

The most important person to have in a scene is the reader. Bring them there. You want them to experience it, not just read about it, by:

  • Using their physical senses
  • Giving them a position, a point of view
  • Giving them some attitude
  • Not telling them everything; leaving something out, and leaving it up to them, so they have to make an investment

Quick notes on scene building:

Consider the large structure and the relationship of the scenes within it. Use the “Scene plus Sequel” pattern, which is:

  • Each scene includes a goal, conflict, and disaster.
  • Each sequel includes reaction, dilemma, and decision.

The job of a scene is to:

  • Advance the story
  • Show conflict
  • Introduce or develop a character
  • Create suspense
  • Create atmosphere
  • Provide information
  • Develop theme

Remember that:

A scene should start with action. Use it to differentiate your characters. They should each move and speak differently.

If you’ve set a scene somewhere unusual, really describe what it’s like. But if you’re at McDonald’s, leave out lots of description, because it’s unnecessary.

A character wants something to happen. Your job is to never allow this to happen until the end. The story is the struggle to get there.

Go paragraph by paragraph through your work and ask, What work is this paragraph doing for the story? If nothing, toss it. If something, refine it or maybe move it, based on the task it’s completing.

Tips for organization:index cards

  • Write and write a shitty first draft, then go back and craft it into something. Get organized by using index cards. Not only do they force you to be succinct, but you can color code them by theme, time, and character. Use them for a “reverse outline” (where you start from something instead of nothing). Then turn them around and shuffle them up to mix up the plot.
  • Use a word processing program like Scrivener. This solves organization problems. It gives you a binder, chapters, bulletin board of notecards, pictures that inspire your work, an archive for your research, tutorials, a note taking tool, etc., all for $40. Or you can try WriteWay Pro, WriteItNow, or yWriter5 (which is free!).
  • Try flow charts: Draw the structure to re-see your work off the screen and think about it differently. Use Google drawings, or mind mapping apps like Scapple and Scrivener.
  • Use a spreadsheet to create a scene list, or a “God’s eye view” of a story. Color code it.
  • Get project management apps like Workflowy and Trello.
  • Or use content curation apps like Pinterest, Scoop It!, Flipboard, etc., and social bookmarking apps.
  • Google Apps Suite is cloud-based and free, and lets you work from anywhere.
  • Try the snowflake method for designing a novel.
  • Stuck? Bored? Come up with new ways of seeing your story: Print it. Draw it out. Change the font. Read it out loud. Record it. Carry it around and touch it. And don’t forget to share it when you’re ready.

Forget Me Not

(From Karen)

So, yes, I’m once again sharing a post from Women’s Fiction Writers. We should really pay them a royalty.

Like most writers, I struggle to stay organized and keep my lines from getting tangled when I’m working on a long piece of fiction—like my new novel. So many details, so many threads to remember and keep straight.

Outlines and notes help, but author Amy Sue Nathan relies on a handy method to index the issues.

Sometimes it’s the little tips that help a lot.

Read on

Attention-to-Detail-1

Author, Author!

From Cathy

Last week I had the pleasure of attending two literary events celebrating new books by people I’m proud to call friends. They are both exceptional writers, and I was honored to have been asked to review at least parts of both of their books while they were being written. I’m even mentioned in their acknowledgements, which is so very sweet. (Although when I pointed this out to my teenage son, his only comment was, “But you realize the goal is to get your name on the front of the book, Mom, not in the back.” Alas, as they say, always an editor, never an author.)

Jenny Jackson, editor at Knopf and Doubleday, and author Katherine Heiny

Jenny Jackson, editor at Knopf and Doubleday, and author Katherine Heiny

In any case, Sunday, February 8 was the launch of Katherine Heiny’s Single, Carefree, Mellow at Politics and Prose bookstore in Washington, DC.

Katherine read from the story that hurled her into the literary world, “How to Give the Wrong Impression,” which was published in the New Yorker when she was only 25. After the reading, her editor, Jenny Jackson from Knopf/Doubleday, interviewed Katherine, asking all the key questions about her journey to publication, her work habits, her inspirations and roadblocks. It was an exciting, enlightening evening, and I was so glad to be a part of it.

book group

Book group loves Bright Coin Moon! That’s Kirsten on the far right.

Monday night I met with my beloved book group of a dozen years to gush over author Kirsten Lopresti’s young adult novel, Bright Coin Moon. We all agreed we were more than impressed by this gem of a book–lost in it to the point that we forgot it was written by one who actually walks among us, who lives close enough and is accessible enough to join us for salads and tequila chicken fettuccine at California Pizza Kitchen, and sign our books and answer our questions.

So add to these two books Karen Guzman’s lovely Homing Instincts, and you could say people are getting published all around me.

Am I happy for them?

Thrilled beyond words.

Am I jealous?

Yeah. A bit at least.

Am I feeling like I should throw in the towel because I haven’t accomplished this yet?

Quite the opposite.

Seeing that this can–and does–happen to wonderful, talented, deserving people is nothing short of…well, I would say, miraculous. But it’s more like a push from behind–or a grasp of the hand and a yank forward.

I’m not saying I’m as good a writer as them. I’m saying if I work hard I can be deserving of publication. I’m saying I shouldn’t expect it to not happen, but to just be bold enough to believe it might.

Scratch that.

Believe it will.

I’m trying. I hope one day to get there. I hope that for all of us.

Write well, everyone, and know that the promise of your words finding their way into the world is more than conceivable. If you’re putting in the work–every day–I have to believe it’s even pretty damned possible.

Guest Blog: Writing Tips from Author Kirsten Lopresti

Transparent_Christmas_Mistletoe_ClipartKirsten Lopresti, having just released her fab-tastic debut novel, Bright Coin Moon, offers up some tips for fitting writing into your holiday craziness. Please check out her website, and order a copy of Bright Coin Moon for yourself or any YA readers on your gift list. It’s a smart, funny, moving tale of a teenager caught up in her mother’s fake fortunetelling business, and her plan to become a Hollywood “Psychic to the Stars.”

Happy holidays, everyone!

How to Find Time to Write This Holiday Season

Kirsten Lopresti

Kirsten Lopresti

The holiday season is upon us, and if you are like me, your to-do list is sky high. So how do you find time to write? Here are five suggestions that might help you squeeze in a little more time.

  1. Make a plan. If you leave it up to chance that you will find some time to write each day, you probably won’t. Take a close look at your schedule. Can you write after dinner? During your lunch break? At your daughter’s dance class while you are waiting for her to come out? How do mornings work for you? Evenings? How do you realistically function with less sleep? Decide how much time you can give to your writing and exactly when you will do it. Try to stick to the same time each day if you can. If you make it a habit, it will become easier to sit down and begin.
  2. Give yourself permission to cut some corners with your holiday preparations. Shop online. Buy some cookies from the grocery store and attempt to pass them off as homemade. Splurge for a house cleaner if you have company coming. Do whatever it takes. You deserve some time to enjoy the season, too.
  3. Cut corners with your writing, too. It’s not an all or nothing thing. If you usually have an hour to devote to writing, during the holiday season you may only have half an hour. Accept this and go on.
  4. writing_letter_1207Don’t compete with others. This goes for your writing as well as for your holiday preparations. If your neighbor’s Elf on the Shelf gives surprise presents and bakes cookies and yours can’t manage to hang upside down from a new place each morning, try not to think too much about it. There are no set rules for holiday preparations. Make a priority list and write at the top, “Priority number 1: keeping my sanity.” All other priorities from two on down should bow to that one.
  5. If you’ve made a plan and a priority list and you still can’t find time to write right now, don’t beat yourself up. If you’ve seen the movie The Secret Life of Walter Mitty, you may remember the scene where Walter meets the photographer. He’s sitting on the hill, waiting for his opportunity to film the snow leopard, but when it finally appears, he doesn’t take the shot. When Walter asks him why, he replies, “Sometimes I don’t.” He then goes on to explain that he’d rather be in the moment sometimes, even if it means missing a really great picture. So if you need a few weeks off, take it. It could be that enjoying the holiday season is exactly what you need to be doing right now.

A Goodreads page and everything? Oh my!

Well, my novel is up on Goodreads. You can order it, review it, “add” it, so this must really being happening, after all.

And as if that weren’t enough, I also have a couple of readings and book signings scheduled at Connecticut bookshops in mid-November:

Breakwater Books — November 15
81 Whitfield Street
Guilford, CT
2 pm reading/signing

Bank Square Books — November 22
53 West Main Street
Mystic, CT
1 pm reading/signing

Local folks, please come out! Non-local folks, please find me online. I can’t tell you how much I appreciate your support, and all the kind wishes I’ve received.

Hope to see or hear from you soon!

— Karen

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Amazing (and FREE) Writing Opportunity!

MOOCHave you heard of MOOCs? The term stands for massive open online course, and the writing program at the University of Iowa is currently hosting one.

Iowa’s Writing University Open Courses website is offering a six-week FREE course, for beginners to experienced-level writers, called How Writers Write Fiction. Once you register for the class, you simply watch a weekly video or two and complete a writing assignment. Then you’re asked to read other people’s work and post your comments while they read and critique your pieces. Some big-name writers are running the show, including one of my personal faves, Mona Simpson, and I believe they will comment on a few assignments as well.

If you’re too busy to sign up, or aren’t sure about it yet, I’ll give you a recap of the first video I watched. This one featured author Michelle Huneven, who offered some great tips for fitting writing into your life:

  1. Turn your soul around. Make writing the priority in your life and everything else will fall into place.
  2. timerGet a good timer. Or use your phone. Decide how many minutes you can stand to write: 7 minutes, 12 minutes, 1 hour, 3 hours…and begin.
  3. Join a writing group. It just helps.
  4. Find a writer you deeply admire who’s maybe a little better than you are, and make a deal to swap writing on a regular basis. Saves you lots of time and makes writing a lot less lonely.
  5. Get plenty of exercise. Very important. No flabby mind, no flabby body, and they’re connected. Walk.
  6. Do something else creative. Cook, garden, play music, make pots, paint. Do something that’s not word-based. It gives the psyche time to range about, and it will sort things out for you that you can’t do with a direct assault.
  7. Bang out a really crappy rough draft of a story, chapter, scene, or article. Give the part of the mind that structures something the chance to organize.
  8. If you’re a novelist, write something short once in a while: an essay, a short story, an article. This is essential so you don’t forget how to finish something. A novel is a really long act of faith. Shorter pieces remind you of the pleasure of endings and keep you in practice to finish.
  9. Remember writing is a form of play. Get into flow. Remember you will get stuck, but you can’t force things. Solving difficult problems is the form of writing. It’s infinite. But remember to give yourself a little room. You have to work your way into flow. If you’re too stuck or going at it too hard, back off. Take a walk, cook a meal, play some music. If it’s still not working, try something else.

Great advice, right? I’m giving this course a try to see where it takes me. If you plan to sign up too, please drop us a line and let us know how it’s going. The second discussion is up now, and focuses on crafting beginning lines. I SO need help with this. I posted my assignment and within an hour had three comments on it. Fun, and hopefully very useful.

And hey, did I mention it’s Iowa for pete’s sake? And free???

To register, visit:

http://courses.writinguniversity.org/

Good luck, and write well, everyone!

—Cathy

20 Minutes of Inspiration

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Karen Baker

New writer Karen Baker recently stumbled upon the Write Despite challenge. Wrestling with a short story she needed to get down on paper, Karen says 20 minutes a day have made all the difference.

Please welcome Karen Baker to Write Despite.

 

I found Write Despite through a very dear friend of mine, who gave me the delightful news that her daughter-in-law, Karen Guzman, was having her first novel published. When I was Googling around one day, I decided to look Karen up and I discovered the wonderful treasure tool, Write Despite. It was the perfect nudge for me because it featured the 20-minute challenge right there in the first line on the front page of the website.

I have to say that Write Despite has come along at just the right time for me. I have had a story going on in my mind for some time. It is with me all the time like an invisible friend. One day I finally started to write it down. I thought if I could get it out of me, then my mind would have some space to be calm, and start a new story. I always feel like I am trying to help this character, as if she is a real person. The story is about Angie, a middle-aged married woman who is very unhappy and has a few health issues that she is consumed with—so much so that they are interfering with all of her relationships. They aren’t even life threatening, but she relies heavily on her pain medication and has forgotten the joy of living.

When a “health nut” outsider arrives one day, a new spirit of fun begins as one very interesting fact about who she is and why she is there is revealed.

The 20-minute-a-day challenge has really made a huge difference in my dedication to writing, because it keeps it simple and fun.  The time is perfect because with the busy schedules that everyone seems to have, 20 minutes of writing is manageable and feels like a huge accomplishment. Why, after 20 minutes, it leaves me wanting to write a little more. It’s similar to the feeling of when you’re reading a really good book, and keep telling yourself you’re going to read just one more chapter before returning to the dishes.

Thanks to Karen and Cathy for making writing fun and for demonstrating the possibility that dreams can come true.

 

Stubborn Streak

There is something to be said for that stubborn streak your parents always complained about. “Muleheaded” was, as I recall, my parents’ fave term. That trait has gotten me into more than a few fights and through plenty of standoffs with my kids, and into a fair amount of trouble.stubborn It’s also gotten me published a few times. Here’s the thing with stubbornness: You can fall back on it when you really, truly believe you’ve got a winner. I wrote a story I loved way back in 1993. Yes, I’m old, okay? Let’s move on. In its early days, it went through workshops, incarnations, edits, and reviews by trusted friends. It tentatively made its way into the world and got rejected plenty. Then it sat in a drawer for about a decade and a half until I rediscovered it one day and decided it was worth another try. Back to editing and begging friends to read it. And cutting! This story is still nearly 6,500 words, but it used to be a whopping 8,000, until a writer friend gently suggested “You have got to CUT some of this bullshit.” So I did. In the last four years I’ve sent it out pretty regularly to more than 50 different magazines and journals. This month…drumroll here… It worked! logoI’m a finalist in New Rives Press’s American Fiction series! (Yes, that’s my big ol’ face right there at the top—so embarrassing.) All the finalists get published in the latest issue, along with three top prize winners judged by…drumroll again… Elizabeth Strout. Elizabeth Strout! Pulitzer Prize winner! Olive Kitteridge creator! Reading MY story! I’m a wee bit excited about this one if you can’t tell. So my point is, stubbornness. And a real willingness to listen to what others have to say and make the hard changes you have to make. The American Fiction prize winners will be announced by late September. And I was thrilled to see the publication date is October…a mere three months away! Then I realized it is actually October…2015. Ah well. After 21 years, what’s one more? Write well everyone―keep submitting! ―Cathy

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