My publisher has just revealed the cover for my forthcoming novel, “Arborview.” I really and truly love it. The designer captured the spirit of the book so well.
It’s a little nerve-wracking waiting for your cover, hoping that the publisher’s vision meshes with your vision, especially since the publisher — who’s paying for all this — has the final call! I couldn’t be more pleased.
Please welcome novelist Julie Howard author of the Wild Crime series, who’s new novel Spirit in Time debuts today. Julie is a former journalist and editor who has covered topics ranging from crime to cowboy poetry. She is a member of the Idaho Writers Guild, editor of the Potato Soup Journal, and founder of the Boise chapter of Shut Up & Write. Learn more at juliemhoward.com.
Ask a writer where their ideas come from, and most of the time they’ll shrug their shoulders. I often find it difficult to backtrack and discover the source for a book’s plot. More often than not, I point to a glimmer of inspiration, something so faint that only I can see it.
My new release, Spirit in Time, is set in 1872 in Sacramento, California. I lived there for about ten years and loved this historical and vibrant city, the heart of the nineteenth century Gold Rush and a terminus of the Intercontinental Railroad. Great wealth flowed through Sacramento and this time was the dawning of what came to be known as the Gilded Age. California had only recently become a state and Sacramento was a swampy area of land caught between two rivers. The city fell victim to frequent fires and floods in its early years. Ingenuity and fortitude were key in making the land livable and today a metropolis of 2.5 million people.
I had already established a series that features ghost-hunting blogger, Jillian Winchester. I knew I wanted the setting for the next book in the series to be Sacramento’s Gilded Age. But then, where did the plot come from?
It’s difficult to walk around the older part of the city without seeing glimpses of the past. Victorian mansions, old brothels, decommissioned rail tracks, a cemetery both eerie and beautiful. Maybe a ghost whispered: Pick me.
Usually, with a plot or character, something sticks in my mind and won’t leave. The story demands to be written – sort of like a song that lingers in your head no matter how you try to shake it out. In the case of Spirit in Time, the old Crocker mansion was this inspiration. Now a museum, the Italianate Victorian structure was built by the wealthy and powerful Crocker family in the late nineteenth century, along with a massive art gallery to house artwork they accumulated over the years. And yes, there are those who say the place is haunted.
The rest was easy. A ghost. A little time travel. A mystery to be solved.
“Time travel isn’t real. It can’t be real. But ghost-blogger Jillian Winchester discovers otherwise when an enigmatic spirit conveys her to 1872 to do his bidding. Jillian finds herself employed as a maid in Sacramento, in an elegant mansion with a famous painting. The artwork reveals another mystery: Why does the man within look exactly like her boyfriend, Mason Chandler?”
Morality and sin live side by side, not only in the picture, but also within her. As her transgressions escalate, she races the clock to find the man in the painting, and hunt down a spirit with a disconcerting gift. But will time be her friend or foe?”
We’re happy to share this Cover Reveal for author Shirley Goldberg’s new novel, Eat Your Heart Out, the second book in her “Starting Over” series.
Two foodies, Dana and Alex, banter, sauté and tiptoe around each other. Except for the occasional smooch. What’s with that?
I’m sharing more of Eat Your Heart Out’s details on my blog. Read the blurb and click this link https://midagedating.com/to read an excerpt. Too soon for links, but I’m looking for ARC readers, so please keep in touch. Publication date coming soon!
Thanks to Debbie Taylor for her cover and the team at The Wild Rose Press for all their hard work!
Blur for Eat Your Heart Out:
“When a tyrant in stilettos replaces her beloved boss, and her ex snags her coveted job, teacher Dana Narvana discovers there are worse things than getting dumped on Facebook. Time for the BFF advice squad, starting with Dana’s staunchest ally, Alex—hunky colleague, quipster, and cooking pal extraordinaire. But when the after-hours smooching goes nowhere, she wonders why this grown man won’t make up his mind.
Alex Bethany’s new lifestyle gives him the confidence to try online dating. What he craves is a family of his own until a life-altering surprise rocks his world. He knows he’s sending Dana mixed messages. Alex panics when he thinks he’s blown his chance with his special person. From appetizers to the main course will these two cooking buddies make it to dessert?
Funny and bittersweet, Dana and Alex’s story will have you rooting for them.”
I have the most wonderful news. My new novel, Arborview, will be published next year.
Yes, you heard right. The contract has been signed. Final edits are underway, and so is the cover design. The Wild Rose Press, a well established and growing publisher, has purchased the rights, and I’m working with a super supportive and generous editor.
I’m still pinching myself. It’s a magical way to kick off the holiday season, and some good news to cap off a year that’s been so difficult for all of us.
I don’t have a release date yet, but it will be in 2021, and I’ll keep you all posted. While I’m on that theme, I want to thank the friends and colleagues who’ve helped me bring this book–which has been in the works for six years–to life. They know who they are, and I’ve got a hefty “Acknowledgements” section in the novel.
It goes without saying that Cathy has been on this ride from the beginning, through multiple revisions and moments of hair-tearing doubt. She is irreplaceable, and the best editor I’ll ever have. I’m not going to say I love her, because she already knows it.
Writing a novel is like running a marathon. You dig deep and push with all you have. Now we’re crossing the finish line.
It isn’t every day dreams come true. Thanks for being part of mine.
Here’s hoping the blessings of the holiday season–large and small–bring us all comfort this year.
Okay, truth in advertising: My publisher sponsors the Possibilities Publishing Conference, held each year at the lovely historic Clark House in Falls Church, Virginia. So yeah, I’m not unbiased. I attended the kickoff conference last year and was super impressed with the sessions, the media room, the photographer and video offerings, and so much more.
This year I honestly went expecting it not to live up to the previous one. I mean, seriously, I felt like there was no way this little event—focused less on writing itself and more on getting your writing seen and read—could pack such power again.
I was SO wrong. Starting with the first session, Maggy Sterner, part branding maven, part life coach, part therapist, all business-savvy bulldog, handed participants a shovel (you know, metaphorically) and taught them to dig deep to find out what they and their writing are truly about. They dug, and unearthed what they didn’t even know they had, or needed, to build a distinct brand. There were tears, people. I mean it was that powerful and that effective.
Do you know the difference between an Instagram post, story, or highlight? Do you know how to best use Pinterest to promote your book—how to get the most from Facebook and Twitter, and how LinkedIn fits into it all? Children’s book author Lindsay Barry knows, and she has nearly 25,000 Instagram followers to prove it. Now Poss Pub’s biggest-selling author, Lindsay led attendees on an edge-of-their seats journey into all things social media. And man does she know how to sell. Her session ran long. Because questions. So many. And discussions, and aha moments, and all of it in breathless huffs because people were so fired up about this topic they couldn’t get enough. It could have gone on for days.
“The Truth Behind the Media” offered another deep dive into an author’s work and how it can be promoted through television, magazines, newspapers, and radio. Media booker Katie Riess took participants into the minds of journalists who can either choose to spotlight a writer’s work or not give it a second glance. What an author is thinking vs. what a media person is thinking are worlds apart, and she was able to map out the differences to help attendees pinpoint best practices for pitching their stories.
And more besides, including author Laura Di Franco, who led an inspiring workshop on building your author platform through blogging, and writer and publisher Keith Shovlin, who helped attendees learn to share their work with the world through podcasting.
The “Author Marketing Mastermind” session gave authors the chance to brainstorm marketing ideas with several of the above experts in a lively, yet intimate group setting. Participants received one-on-one attention and support to meet their goals, and were even provided with a second video meeting a month later to check in on their progress and receive additional feedback.
Between sessions, authors were encouraged to take selfies of themselves and their books in the Instagram Inspiration Room, which offered a lightbox and an abundance of props and decorations. And new this year was a podcast offering, where authors were interviewed about themselves and their work and walked away with professional podcasts for their own use.
Oh, and here are a couple of new resources I learned about while I was there. And you’re very welcome:
HARO, a.k.a., Help a Reporter Out, is a massive database that connects journalists with media sources and helps them pitch their stories.
Autocrit is an editing tool that helps you fine-tune your manuscript by analyzing your words and pointing out flaws, like poor dialogue, use of adverbs, repetitive words and phrases, and clichés. At only $10 for one month’s use, I can’t wait to try this one out.
At the day’s end, I heard so many people commenting on how much they’d gotten from this event, and every one of them said something to the effect of :
“You have GOT to tell more people about this.”
So—you’ve been told. Mark it down for next year (likely in early May), and tell your fellow writers. You won’t be disappointed!
Something I’m keeping in mind as I work on a rewrite that’s taking my novel to a new place. Very exciting!
“Let your scenes play out. Don’t cheat your readers by trying to wrap up every scene too quickly. Events in real life don’t often end neatly; chances are neither will events in your story. Instead, let the falling action of each scene sow the seeds of the following scene’s rising action. Propel your audience through to the next plot point—make them want to keep reading.”
I’m calling out Amy’s terrific advice on how to treat secondary characters, and why it matters. That’s how much I like it.
TWO TIPS FOR SECONDARY CHARACTERS
Your secondary characters need love too, and they need to be as carefully created as your main character — just don’t tell her.
My two biggest tips for creating engaging secondary characters are:
Each secondary character must have her own arc.
To me, this means, a little story of their own going on — a subplot if you will, a storyline. Each must have her own beginning, middle, end. That character doesn’t know she’s in someone else’s story!! But…
Each secondary character must to serve the main character’s story.
EVERYTHING in your novel helps to drive the main story forward, even a secondary character’s personal storyline. Ask yourself HOW it does this to make sure, but more importantly ask yourself WHY.
This is something hard to do but easy to check. Go back through your manuscript or outline and focus on your main secondary characters (not the townspeople, as I call them). Note what she’s doing in a scene — why is she there? How is her own story being furthered? How is it impacting the protagonist and the main storyline?
Sorry we’ve been…ahem, MIA lately. Too much going on, and too little of it is writing. But thisterrific postfrom Women’s Fiction Writers popped up on my screen this morning, and I just had to share it.
Here’s a novel for any mother who has juggled childcare, work, and life (which means every mother) and especially for those struggling to do it under extra challenging circumstances. We don’t do enough as a nation for parents, especially for mothers who, despite all the advances, still bear the brunt of the job.
I can’t wait to dig into Janet Benton’s debut. Join me?
Cathy has been basking in glory lately, what with her new novel, all her cool readings and interviews, not to mention her latest score—a flash fiction honorable mention in the acclaimed Glimmertrain magazine.
I could be envious, if I had the time.
But slogging my way through the middle of a comprehensive novel manuscript rewrite—yes, line-by-line, adding new scenes, reworking a viewpoint, the whole shebang—has me just a tad too occupied.
I’m making steady, if slow, progress, but I’m not complaining. My mantra these days: one foot in front of the other—make each scene, and each bit of connective narrative glue, as compelling as possible.
Of course, I am taking some breaks. My family recently spent a weekend hiking in New Hampshire’s gorgeous White Mountains, where I stumbled (yes sometimes literally) upon a nifty rewrite metaphor: the steep, boulder-strewn trail we climbed.
Okay, it’s a little corny, but also kind of apt, and you can’t beat the scenery.
Our hiking route was the Tuckerman Ravine Trail, which winds up the infamous and awesome Mount Washington. Here are a few milestone markers that—when you’re eyeball deep in a big rewrite—resonate both on and off the trail.
Chapter One, get moving. The Mountain—like the last page—won’t come to you.
Picking up speed, but pace yourself. One scene at a time.
Moments of early inspiration.
Look out for those rocky patches, and there are a lot of them.
This is called an uphill climb, dig deep and keep pushing.
Save your file, time for a coffee break. God bless the team that pitched these shelters along the mountain trail.
The end is in sight. Your feet are sore and your legs ache, but there’s no way you’re quitting now.
The end: A view worth climbing for. The manuscript’s ending? I’ll let you know when I get there.
I had a blast with the coolest group of ladies this week. They not only had me come to speak about my book A Hundred Weddings with three combined book groups in their neighborhood, but they put out a food and beverage spread you wouldn’t believe–one of them even brought a wedding cake with bride and groom on top!
The best part was they brought pictures from their own weddings and challenged each other to see how many people could guess which bride was which. So very fun! They had great questions for me too, and I hope they all enjoyed the discussion.
On June 4 I’ll be having a reading/signing at The Writer’s Center in Bethesda, Maryland. Please come out if you’re in the area to meet with author Andrew Gifford and me.
On the progress of current work, I’m now 25 pages into the new book. Yeah, it’s not much, but it’s a start. Karen is on her second or third rewrite of the full manuscript, and it’s a good one, I promise.
Oh, and I now have this awesome little video about my book on Youtube:
How goes it with you? Hope you’re renewed by the spring weather and working away.