Well, Arborview has officially been in the world for one week, and the reception has been heartwarming. Thanks to everyone who reached out with congratulations and who is already reading Arborview. Please share your reviews on Amazon and Goodreads.
Eighteen people attended my launch reading via Zoom, which was hosted by my local library, and since then the book has been making the rounds on several Book Launch Blog Tours.
How am I feeling? Relieved, gratified, kinda tired. Arborview is being marketed much more heavily that my debut novel was seven years ago. All this blogging, and chatting, tweeting and instagrammingtakes time. Precious time.
Not that I’m complaining! I’m just eager to pour more of myself into my new writing project…which I am VERY excited about. My job as an author now is to divide my time between promoting Arborview and forging ahead on my new project. (Oh, and hold down my full-time paying job and raise my kid!)
Tips, anyone? How do you balance the marketing aspects with the creative aspects of being an author in this digital age? I welcome all advice.
And for anyone on NetGalley, Arborview is listed all this month. Apply to review, if you’d like. You get a free digital copy.
Friends, please welcome Lynn Griffin to Write Despite. Lynn’s debut novel comes out this month, courtesy of The Wild Rose Press. Lynn’s journey to publication has been long, but her dedication and passion—and the courage to finally take the submission plunge—have paid off.
And don’t you love her cover?
Take it away, Lynn:
Thank you for allowing me to share a little bit of me. A granny of five who retired expecting to go trekking across the world, only to find herself with a whole new career. This is the Life of Lynn, a project in the making, which by the way is not the title of my debut novel, which is: Secrets, Shame, and a Shoebox. A romance with bite and intrigue.
If you don’t mind, I’m going to start out by taking you back to January 2020, when the new terrible, invisible, big bad wolf began to emerge. (COVID-19.)
I was in Spain and about to come home to the U.K. I’d finished my novel, which certainly wasn’t perfect, but it was complete. I’d already decided it would stay in a dark, dusty corner and cogitate its fate. Just like everything else I’ve ever written. My poor, long suffering but supportive husband couldn’t understand why I not only took my laptop away with me, but also had no intentions of sending my work to a publisher. He said, throwing his hands up to the heavens, “What, after all that effort?”
Well, he hadn’t read it for starters. So, what did he know? Plus, who likes rejection? My response was: “It’s a hobby, a passion, I don’t know. What I do know is that I am a compulsive writer.”
I have always written around my full-time paid jobs. Help pay the bills, bring up the family, but I need to write to give the little devils doing a dance in my head the chance to get out and tell their story.
The other truth behind this mask is that I’ve never had enough confidence to get going. I guess, for fear of a professional reading it and then dying laughing. I didn’t want to be sued for manslaughter! Plus, who likes rejection?
Anyhow, when I came home from Spain, a friend said something that stuck. Please know this is not a direct quote, but in my head it was pretty much: “Get it out there before you pop your clogs, mate!”
I thought about that for a quite a while and wondered, did I want my epitaph to read: “woulda coulda shoulda?”
Now here’s the thing. I never believed anything would come of it. But I got my ancient Writers Year handbook and began to research appropriate publishers, then checked that they accepted submissions. Here’s a real tip: There is nothing worse than doing a whole heap of work trying to promote your gorgeous baby, when the publishers are not accepting submissions. Even if you think you are the next JK Rowling or Stephen King, they won’t change their minds. It wastes your time and theirs.
Back to the dreadful process, I had to write the smartest, shiniest interview on earth. That’s what submission are. Interviews. I hate them. And none of the requirements are the same! Plus, they prevent you from writing the stuff you really want to write. It’s also important to note that publishers generally tell you not to send your work anywhere else or let them know if you do!
Anyway. Months passed, and rejection loomed. Then something stirred in my gut, and I decided to nudge this one particular publisher again. I was polite and to the point, especially as they didn’t state, like some do: “If you don’t hear back within three months, clear off.” That’s so harsh. Not taking the time to let you know. Leave you in limbo. Oh, and yes, I know they’re busy.
Anyhow my email went something like this:
“Did they receive my enquiry. If they were not interested, could they please let me know so I could move on. Thank you.”
Yup, as simple as that.
I couldn’t believe it when an email bounced back, almost instantly, bearing in mind the time difference, Eastern Standard Time, New York, with something like: “No, didn’t receive, can’t find it, can you resend? President/Editor-in-Chief”
Can you imagine! Seriously? I didn’t send it? What a plonker. Was it still floating around in the ether? All this time wasted, wondering! And YES, I know my IT skills are rubbish! Hey ho. Of course, I’ll resend. I wasn’t about to argue now, was I?
Another email arrived shortly after – again from the President/Editor-in-Chief :
“…will pass on to Editor!” Surely that couldn’t be right? I thought it must be a scam. I had to check them out again. But here I am almost twelve months later, contract in hand and a July 21, 2021, release date for my debut novel.
So, that’s part of my story. But there is so much more. I’ve started a blog. Just a little hints and tips along the way, with the aim of supporting and encouraging budding writers. If you are published, you know how hard the journey is. If you don’t already, I encourage you to support other budding writers. If you are new to all of this, please know that I had a dream that before I died, I would get a book out there. If I can do it, then so can you. Have faith in yourself, you can do it, and thank you for reading.
From Secrets, Shame, and a Shoebox:
“Harriet felt the tell-tale gust of wind from the ink-black cave. The train was coming. A strand of hair came loose from her plait, flicking her face as debris skittered along the dais. The train was imminent. People throw themselves in front of trains all the time…”
The road to publication took debut author Belinda Scott from a love of reading to writing advanced review copy critiques to, finally, penning her own story. The moral? Follow that dream, even when the path is long and uncertain.
Please welcome Belinda, more formerly known as “Elisabeth,” to Write Despite.
Thank you, Karen, for having me on your blog. I’m really excited to be here. Honestly, it makes me feel like a “real” author. Sometimes I still find it hard to believe I actually wrote a novel. I have been a homeschool mom for the last decade and was a substance abuse counselor before that. I don’t think I’m exactly in the ballpark of what most people think about when they hear the term author—actually, I’m not even what I think about when I hear the word author—yet here I am.
My path to becoming an author started out with just a love of reading. As a child and teen, our small-town library couldn’t keep up with me. Every week I’d walk out with a stack of books until eventually I’d struggle to find anything I hadn’t read. Nancy Drew and Trixie Belden were my favorites and sparked my love of mysteries and danger.
As an adult, I continued to read at the rate of almost a novel per day, and the cost of my reading habit began to rival the car payment. Well, not exactly, but it was expensive. Thankfully, I found an online site that linked reviewers with authors and publishers who needed advance readers. My world opened up, as I found so many new and interesting authors, and my book shortages were no more. I was happy, and my budget was, too.
Through writing reviews, I began to interact with authors and receive personal requests to review new books. I joined ARC teams and eventually was asked to become a beta reader for an independent author. She and I became friends over the course of several novels, and I eventually ended up becoming her amateur content editor. Working with her was some of the most fun I’ve ever had. Editing spicy scenes can certainly lead to some hilariously inappropriate conversations.
My friend encouraged me to pursue my dream of writing my own novel, and when the pandemic caused us all to be shut away with nothing else to do, I gave it a try. Twelve weeks later, Thirteen Scars was born. I started out by sending a query, synopsis, and sample to my top seven publishers. Two sent rejection letters, but then my editor with The Wild Rose Press contacted me asking for a bigger sample and eventually the whole manuscript. A contract followed, and this week I was given my official release date: July 7, 2021.
I am a classic example of how following your dreams can lead you to some surprising places. I had no budget, no connections, and no real knowledge of what I was doing. All I had was an outdated computer and a dream. I never expected to have a published book or to be halfway through writing a second, so for those of you who are still dreaming, I say stop making excuses and start making plans. Tackle those dreams and see where they take you!
Breaking into the publishing business is no small feat. Perseverance and strategy are key, but video games—of all things—can offer unexpected insight, as Steven J. Kolbe discovered. Steven’s debut novel, How Everything Turns Away, is forthcoming from The Wild Rose Press. Please welcome Steven to Write Despite. Find him on Instagram @stevenjkolbe.
Some years ago, I became rather discouraged about my writing life. I read voraciously, wrote even more voraciously, and even chose creative writing as my college major. While I published a poem in high school and an interview with a U.S. poet laureate my freshman year of college, my accomplishments dwindled from there. A few years out of college, I began to doubt if this writing thing was going to happen.
Then my wife Susan did me a great favor. She convinced me to get a Wii. Now, I am not a gaming person. I played video games as a kid, but quickly my interests diverged. By middle school, I only played one if a friend really wanted to play—and then they would beat me miserably, of course.
However, as an adult, it was fun to return to the old world of Mario and Luigi, this time with fancy motion-sensor remotes. Around this same time, my friend Geoff, a New Orleans poet, introduced me to a website called Duotrope. This website catalogues different literary journals and magazines. It organizes them by genre, print or online, pay, and, most importantly, acceptance rates. Immediately, I realized my error. All the journals I’d been submitting to had less-than one percent acceptance rates.
I had a revelation: What if I approached my writing career the same way one approaches a video game—not with the hardest level first, but the easiest? Looking through Duotrope and thinking about Mario Brothers, I had a paradigm shift. I decided to send my recent stories to journals with only high acceptance rates. It worked. I placed nearly all of them within a few months. After that, I took on slightly more selective journals, and so on.
When it came to finding a home for my debut mystery novel, How Everything Turns Away, I checked out a copy of Writer’s Market. I chose a wide variety of agencies and publishers to send my manuscript to. In this way, I found The Wild Rose Press, an independent publisher with a wide range of authors and a stellar reputation. I began working with Kaycee John, who has been a lifesaver for my manuscript. She gave me copious notes on my sample chapters and has been working with me over the last year to take How Everything Turns Away from a manuscript to a novel.
Please welcome novelist Julie Howard author of the Wild Crime series, who’s new novel Spirit in Time debuts today. Julie is a former journalist and editor who has covered topics ranging from crime to cowboy poetry. She is a member of the Idaho Writers Guild, editor of the Potato Soup Journal, and founder of the Boise chapter of Shut Up & Write. Learn more at juliemhoward.com.
Ask a writer where their ideas come from, and most of the time they’ll shrug their shoulders. I often find it difficult to backtrack and discover the source for a book’s plot. More often than not, I point to a glimmer of inspiration, something so faint that only I can see it.
My new release, Spirit in Time, is set in 1872 in Sacramento, California. I lived there for about ten years and loved this historical and vibrant city, the heart of the nineteenth century Gold Rush and a terminus of the Intercontinental Railroad. Great wealth flowed through Sacramento and this time was the dawning of what came to be known as the Gilded Age. California had only recently become a state and Sacramento was a swampy area of land caught between two rivers. The city fell victim to frequent fires and floods in its early years. Ingenuity and fortitude were key in making the land livable and today a metropolis of 2.5 million people.
I had already established a series that features ghost-hunting blogger, Jillian Winchester. I knew I wanted the setting for the next book in the series to be Sacramento’s Gilded Age. But then, where did the plot come from?
It’s difficult to walk around the older part of the city without seeing glimpses of the past. Victorian mansions, old brothels, decommissioned rail tracks, a cemetery both eerie and beautiful. Maybe a ghost whispered: Pick me.
Usually, with a plot or character, something sticks in my mind and won’t leave. The story demands to be written – sort of like a song that lingers in your head no matter how you try to shake it out. In the case of Spirit in Time, the old Crocker mansion was this inspiration. Now a museum, the Italianate Victorian structure was built by the wealthy and powerful Crocker family in the late nineteenth century, along with a massive art gallery to house artwork they accumulated over the years. And yes, there are those who say the place is haunted.
The rest was easy. A ghost. A little time travel. A mystery to be solved.
“Time travel isn’t real. It can’t be real. But ghost-blogger Jillian Winchester discovers otherwise when an enigmatic spirit conveys her to 1872 to do his bidding. Jillian finds herself employed as a maid in Sacramento, in an elegant mansion with a famous painting. The artwork reveals another mystery: Why does the man within look exactly like her boyfriend, Mason Chandler?”
Morality and sin live side by side, not only in the picture, but also within her. As her transgressions escalate, she races the clock to find the man in the painting, and hunt down a spirit with a disconcerting gift. But will time be her friend or foe?”
We’re happy to share this Cover Reveal for author Shirley Goldberg’s new novel, Eat Your Heart Out, the second book in her “Starting Over” series.
Two foodies, Dana and Alex, banter, sauté and tiptoe around each other. Except for the occasional smooch. What’s with that?
I’m sharing more of Eat Your Heart Out’s details on my blog. Read the blurb and click this link https://midagedating.com/to read an excerpt. Too soon for links, but I’m looking for ARC readers, so please keep in touch. Publication date coming soon!
Thanks to Debbie Taylor for her cover and the team at The Wild Rose Press for all their hard work!
Blur for Eat Your Heart Out:
“When a tyrant in stilettos replaces her beloved boss, and her ex snags her coveted job, teacher Dana Narvana discovers there are worse things than getting dumped on Facebook. Time for the BFF advice squad, starting with Dana’s staunchest ally, Alex—hunky colleague, quipster, and cooking pal extraordinaire. But when the after-hours smooching goes nowhere, she wonders why this grown man won’t make up his mind.
Alex Bethany’s new lifestyle gives him the confidence to try online dating. What he craves is a family of his own until a life-altering surprise rocks his world. He knows he’s sending Dana mixed messages. Alex panics when he thinks he’s blown his chance with his special person. From appetizers to the main course will these two cooking buddies make it to dessert?
Funny and bittersweet, Dana and Alex’s story will have you rooting for them.”
Hello and welcome to the newly updated Write Despite. Cathy and I have finally given our blog a facelift. Yeah, it was long overdue. Please poke around the redesigned pages, take note of our tweaked mission statement, and share your feedback.
To kick off the redesign, novelist Randy Overbeck shares his take on the care, feeding, and invaluable contributions of early-stage readers.
Take it away Randy:
I’ve spoken with a number of authors who have raised questions about beta readers. To clarify, when we say beta readers, we’re referring to readers who read an early manuscript, either in part or whole, and provide feedback. Some writers find these early readers unreliable, unhelpful, or sometimes even distracting.
For me, beta readers have been an integral part of bringing my manuscripts to fruition. Over the past several years, I’ve developed a process involving beta readers that has provided insights about my work I could never have gotten on my own. Along the way, I’ve learned a few lessons about what works—and what doesn’t—when it comes to beta readers:
You’re going to need more than one. I’ve found it helpful to have several individuals respond to my early work. Over the years I’ve cultivated a cadre of 10-12 readers. Since I want to learn how different readers might respond, it’s helpful to solicit multiple readers. I often get different perspectives and varying insights. I’ve also learned that some beta volunteers don’t end up actually reading my manuscript; life gets in the way, and I understand that. Recruiting several betas insures I can get the feedback I’m looking for.
Beta readers don’t substitute for a writer’s critique group. My beta readers are not writers; they’re readers. I don’t ask my beta readers to check my grammar—though there is usually one grammar Nazi in the group who likes to do this—improve my style or check on my voice or tense. I ask them to respond as readers, to aspects like plot and character or setting. Did anything catch their eye or stop them in their tracks or interfere with their reading?
Beta readers need to know what you expect of them. When I share a section of my manuscript, I try to be very specific with what I want betas to respond to. Along with the pages, they receive a set five to six questions. (As a long-time educator, my habit of giving homework lives on.) Of course, one of these questions is always very open-ended, so betas can share whatever they want to say. My betas seem to appreciate the direction, and I usually get the feedback I’m looking for.
Like everything else in life, beta readers do best with a set timeline. I’ve learned that my beta readers respond better when I give them an expected date to complete their review, usually about two weeks. Some will read the manuscript in a day or two and respond immediately, while others will wait until the “deadline” to finish their reading and respond.
It’s important your readers aren’t simply “yes men.” (Please forgive the gender blunder.) When I recruit beta readers, I try to make sure I have readers who will not be afraid to give me bad news. “That scene did not work.” “That description was too much. I found myself skimming to get to the action.” I’m careful to receive their responses, especially critical ones, in a positive manner. I encourage my betas to be candid and let them know that’s why I’m giving them an advance peak at my writing.
When possible, I try to give beta readers a chance to come together and discuss their reading and responses. (This was prior to the COVID-19 pandemic, of course.) Over the years, I’ve tried to arrange a get-together—usually after work at a quiet restaurant—for local betas. They seem to enjoy comparing responses and, once they start discussing aspects about the narrative, they often provide me more than what they’ve written down. Also, some betas simply like to tell me some things face-to-face.
I’m confident that insights from my beta readers have helped make my writing clearer, more engaging and more accurate. I acknowledged their contributions at the start of both my published novels. I wouldn’t dream of writing my next mystery without their feedback. And… I’m always looking for new beta readers, so feel free to reach out.
Today we have a guest blogger. Please welcome novelist D.V. Stone. Her new novel, Jazz House, will be published in 2021.
D.V. has dabbled in many genres and published a slew of books. She’s got good advice including some seasonally appropriate editorial wisdom learned from a holly bush.
I’m what is referred to as a ‘Hybrid’ author. This means my books are both traditionally and independently published. I’ve published work across multiple genres. But whatever story I’m telling, my goal is always the same: to bring hope to the reader.
The authors and genres I’ve enjoyed over the years have, by turn, made me laugh or cry, or pushed me to the edge of my seat. In this spirit, I hope to do the same. I want my readers to sit and laugh, cry, scream, or just quietly contemplate.
So, what have I learned about writing and publishing over the years?
Perseverance and patience are critical. People ask all the time, “When is your book coming out?” Writing is a long process for me. I still work full-time outside the home in a medical office. There is a countdown app in my phone ticking off the days until retirement. I have so many ideas and parts of manuscripts waiting—especially one, in particular, begging me to finish.
Disappointment and rejection happen. The submission process can be a blow to your ego. You start out with stars in your eyes because you think you have something great. Then the first rejection comes. Then the second. And so on. You’ve got to learn to roll with it. It’s all part of the process.
Criticism and critique are important. Learn what you can from criticism and let the rest go. Don’t be a mule. If multiple people tell you the same thing about a sentence, structure, plot hole, or point of view issue, take a step back and really look at what you’ve got.
Editing and change are often frustrating and tedious, but they either make or break your book. There is so much to learn/know. Sometimes painful decisions need to be made. Characters you love may need to change. Sometimes vastly. Whole sections may need to be eliminated.
I love sharing this story about my husband, Pete. It’s an apt metaphor for the editing and publishing process.
Pete has a love-hate relationship with a holly bush in front of our house. For years he’s tried trimming it to keep it under control, but the bush seems to have a will of its own. One day Pete had had enough. Grabbing a saw, he dropped to the ground and cut it down.
Funny thing, a couple of weeks later, green started sprouting from the stump.
Editing a novel is like pruning a tree or a bush. In that initial rush of emotion, words pour over the page. Cohesion and logic take a back seat to growth. But once you take a step back, the delete key becomes your surgical scalpel, and critique partners, your nurses.
Sometimes my work is overwrought, and drastic steps need to be taken. Characters and scenes become casualties of the delete button. But the good thing is, if you have interesting characters, and are willing to listen and make the tough choices, your work can bloom beautifully.
Pete now carefully trims the bush to keep it from becoming the overpowering entity it once was. Not only is the holly healthier, so are the plants around it.
I have the most wonderful news. My new novel, Arborview, will be published next year.
Yes, you heard right. The contract has been signed. Final edits are underway, and so is the cover design. The Wild Rose Press, a well established and growing publisher, has purchased the rights, and I’m working with a super supportive and generous editor.
I’m still pinching myself. It’s a magical way to kick off the holiday season, and some good news to cap off a year that’s been so difficult for all of us.
I don’t have a release date yet, but it will be in 2021, and I’ll keep you all posted. While I’m on that theme, I want to thank the friends and colleagues who’ve helped me bring this book–which has been in the works for six years–to life. They know who they are, and I’ve got a hefty “Acknowledgements” section in the novel.
It goes without saying that Cathy has been on this ride from the beginning, through multiple revisions and moments of hair-tearing doubt. She is irreplaceable, and the best editor I’ll ever have. I’m not going to say I love her, because she already knows it.
Writing a novel is like running a marathon. You dig deep and push with all you have. Now we’re crossing the finish line.
It isn’t every day dreams come true. Thanks for being part of mine.
Here’s hoping the blessings of the holiday season–large and small–bring us all comfort this year.