Of course we all know the differences, right?
Way, deep down.
But in case you’re curious to see them explained succinctly, in colorful little infographics with real-world examples no less, take a glance at these little gems.
As we gear up for a new year, Tara Laskowski, author of Modern Manners For Your Inner Demons (Matter Press 2012) and the forthcoming Bystanders (Santa Fe Writers Project 2016) is kindly sharing some suggestions that will benefit your craft, as well as your karma.
Happy Writing in the New Year. Make 2016 your most productive—and more importantly, most fulfilling—yet.
Please welcome Tara to Write Despite.
Yep, it’s that time—to commit to something (or several somethings) that you’ll accomplish over the next year. To change the ways that you’re less proud of. To start over, reset, renew.
Only 8 percent of people are successful in achieving New Years resolutions. Perhaps this is because we dream too big and set ourselves up for failure? Whatever the case, I’m presenting to you some resolutions that I’ve tried in the past or would like to try this year. Some are bigger, and some are tiny—and achievable—I swear! I hope they spark some ideas for you and make your 2016 full of happy reading and successful writing.
Re-read a book you love. If you’re at all like me, you’ve got a stack of books somewhere that you want to get to, but can’t ever seem to. You can’t really imagine taking the time to go back and read something you’ve already read, even if you love it.
Well, give yourself permission to do it. For every two or three new books you read, re-read something you love. I have started re-reading The Chronicles of Narnia by C.S. Lewis again, and it is giving me such pleasure to revisit these characters. Also on my list—Mrs. Dalloway, the Harry Potter series, Breakfast at Tiffany’s, and The Secret History.
Subscribe to a literary journal. Lit magazines are struggling. They get more submitters than subscribers in many cases. Find one that you love, and buy an annual subscription. Then read it. If you find a story you really love, email the writer and let him or her know.
Swap favorite books with a writer friend. Ask your friend to name two books that changed her life (that you haven’t read yet.) Then give her two books that you adore that she hasn’t read. Read them. Discuss over drinks and sweets. Consider your life changed and enriched.
Write something outside your genre, just for fun. Normally write novels? Try flash fiction. Are you a poet, always a poet? Why not write a crime fiction story? Instead of science fiction, ground yourself in reality for a time. Pulling out of your comfort zone can get your brain thinking in different ways. A bonus: it also takes the pressure off and gives you the freedom to just explore for a while.
Several of the stories in my new collection exist only because of this experimentation. The story “The Monitor” was my attempt to write something with supernatural elements in it—a woman who starts to see a ghost in her baby monitor. The story ended up getting taken by Alfred Hitchcock Mystery Magazine. Another story, “Every Now and Then,” was the result of me messing around with writing modular stories—a form I’ve grown to love. If I hadn’t tried to break out of my writing comfort zone, these stories wouldn’t exist.
Review books on Amazon. This is a really easy and cheap way to show love to the writers you know and adore. There are many articles out there about why and how Amazon reviews are good for the writer. Take five minutes and write a thoughtful, honest review of a recent book you read and post it on Amazon—and Goodreads, too! I promise you that you will make that writer’s day.
Finish that one project that’s lurking behind you. Maybe it’s the novel you’ve been writing for seven years, or the story where the concept is great but you can’t get the ending right. Or the collection of short stories that needs three or four more to flesh it out. Whatever the writing project, make 2016 the year to tackle it. And then go for it. You can do it. I’m cheering you on!
Tara Laskowski grew up in Northeastern Pennsylvania and now navigates traffic in the Washington, D.C. suburbs. She is the author of Modern Manners For Your Inner Demons (Matter Press 2012) and the forthcoming Bystanders (Santa Fe Writers Project 2016). Her fiction has been published in the Norton anthology Flash Fiction International, Alfred Hitchcock’s Mystery Magazine, Mid-American Review, and numerous other journals, magazines, and anthologies. Since 2010, she has been the editor of SmokeLong Quarterly. She and her husband, writer Art Taylor, write the column Long Story Short at the Washington Independent Review of Books. Tara earned a BA in English with a minor in writing from Susquehanna University and an MFA in Creative Writing from George Mason University.
Okay, so these aren’t the most flattering photos, but they are pretty darn funny.
They were shot during my reading and signing at Tolland Public Library in Connecticut last week. Many thanks to Kate Farrish for organizing.
It was a lovely event, lots of nice readers (phew) and a lively discussion. Those of you contemplating your first reading/signing events should know this: People are really nice at these things. No kidding. They’re there because they’re interested in writing and stories…and in your work! Many know how difficult the process is and admire your persistence and dedication.
The audience also seems to know when you’re bluffing and when you’re speaking from the heart. I received a few comments afterwards on how much audience members appreciated my warm and candid comments. THAT was nice to hear.
Questions I received touched on my writing process, how I got the idea for this book, what I’m working on now (a new novel) and how tough it is to break into publishing today. I answered as best I could, no whitewashing, just telling it like is. And that was the most fun of all.
I’ve added captions to these photos, illustrating a little—just a little—of what was running through my mind…
Please tell us about your “breakthrough” publication—that first publication that felt really significant to you. (of course, goodness knows, they’re all significant!)
I’ve published in many genres over the years, but I think that having my novel Seeing Things accepted for publication made me feel that I’d arrived as a writer. I wrote the kind of book I want to read and can rarely find—one that has rounded characters, suspense, romance, humor, and a plot that I haven’t read before. The book goes beyond plot to explore the idea that we choose what we see—not just in the paranormal realm, but in all the realms of our lives. I spent a year crafting and polishing Seeing Things, tweaking chapter after chapter, incorporating suggestions from a dream team of writers. By the time I was ready to send that baby out into the world, it felt like I was sending a kid off to college.
How long had you been writing before you published a piece?
My first piece published in print was a short story that appeared in a junior high literary magazine! I think I was twelve.
What was you reaction upon learning your piece was accepted? Disbelief? Joy?
When I learned that Seeing Things had been accepted, I jumped up and down screaming, then ran around the house, totally alarming the family. Our cat didn’t recover for days.
How do you go about trying to place your work? How do you choose markets?
That depends on what I’m writing. If I have a new poem or short story, I send it to an editor whose taste runs to what I’ve written. For instance, one editor might like political satire, while another publishes nature poetry. If I have a newspaper article about an author, I send it to local papers and to publishers for posting on their sites. If I have a play, I submit it to whatever group I’m aligned with at the moment. For this novel, I surveyed the requirements of various publishers, read articles on publishing, found publishers and imprints that matched the novel I’d written, and submitted the manuscript to two or three houses before the last one accepted it. I don’t think I consciously chose a market, but I now realize how vital knowing your market is.
Any advice for writers still working for their “breakthroughs?”
First, network. You can meet other writers and editors at various readings. Sometimes editors will hear a piece at an open mic and request it. Small presses are easier to break into that large ones. If you write romance, joining a chapter of the Romance Writers of America can prove very helpful. Finally, pick an editor who deals with books like yours and learn to write the query letter, since an unsolicited manuscript generally winds up in a publisher’s slush pile.