Write Despite

The write-20-minutes-a-day-for-365-days-come-hell-or-high-water challenge

Archive for the month “July, 2013”

Welcome Author Marjorie Hudson

First, a big thanks to everyone who chimed in on last week’s blog, and congratulations to author Gigi Amateau, winner of our first-ever Write Despite book giveaway! Gigi was randomly selected to win a free copy of Tara Laskowski’s Modern Manners for Your Inner Demons. Gigi has quite a body of work of her own, and has graciously agreed to do an interview and book giveaway on Write Despite as well. Look for her post in the coming weeks.

- by Brent Clark (3)

(Photo courtesy of Brent Clark)

Now please welcome author Marjorie Hudson to Write Despite. Marjorie’s fiction and creative nonfiction explore the worlds of outsiders and newcomers, misfits and strangers, in the contemporary and historical South. See her website and her blog about her writing adventures: http://www.marjoriehudson.com

Thanks, Marjorie, for taking the time to chat with us.

   1)    What’s the best writing advice you’ve ever received?

“Do it your way.” – Emily Herring Wilson.  Emily was my editor and mentor for my first book, Searching for Virginia Dare, which was a strange amalgam of history, interview, road trip, memoir, and fiction scene. When I wondered if that kind of strange combination was even allowed, she encouraged me to play. It’s been the best advice, and used it when compiling my story collection too, which includes both contemporary stories and historical fiction.

 2)    Please tell us your favorite three authors.

I read everybody I can get my hands on, and my favorites change from time to time. But some standbys: Henry James, Alice Munro, and Anne Lamott. I know it’s a strange list.

 3)    Briefly describe your journey to publication.

I was a shy writer for many years, hiding behind my job as an editor at National Parks Magazine. One day I got up my courage to ask for an assignment, and after that started writing features. When I moved to North Carolina, it was with the goal of doing more creative writing—it was cheaper to live here and I knew I could experiment more while freelancing. I worked at Algonquin books as a copyeditor for a number of years, soaking in the lessons of fiction writing, then started writing my own stories and sending them out. My first story won a small award. I was overly encouraged by that and started sending everywhere. A lucky break got me my first book contract—Emily Wilson called me out of the blue and asked me to write for her, and it turned into a book, Searching for Virginia Dare, now out in a new edition. Meanwhile, I was writing and publishing short stories. I finally collected some stories on the theme of outsiders in the South, that became Accidental Birds of the Carolinas. It took 20 years for me to refine those stories till they were ready, but it was worth the wait, because the collection got national recognition as a Pen Hemingway Honorable Mention.

SFVD Cover - 2013 (3) Just this summer my first book came out in a new edition,  Searching for Virginia Dare: On the Trail of the Lost Colony of Roanoke Island, and I got to have a dream come true—keeping a book in print for more than ten years, and adding some exciting new material from my continued adventures. I remain obsessed with the mystery of the Lost Colony, and the legends and stories that continue to emerge from that moment in history, and have sought out new clues while traveling to Rome, London, and the Outer Banks in search of deeper understanding of the story of America’s first English child, part of the Lost Colony of Roanoke Island.

4)    Advice for those now on the road to publication?

Find a writing community, a great teacher, a mentor. Keep the faith. You are the only one who can tell the story your way. You’ll need that writing community while you struggle, and creative work is a struggle, and you’ll want them around too to celebrate with when you publish! No one understands the sweetness of publishing better than another writer.

 5)    Do you write every day?

I schedule writing in. Some weeks I do other things. My favorite method is to take a month or more and write the same time every day. For longer projects, you must fit them around your life, and your job, to sustain them.

6)    What are you writing now?

I’m working on a novel draft. It continues the stories of some of the characters in Accidental Birds.

 7)    What are you reading now?

I read several books at a time. I’m reading Little Raw Souls, a new story collection by my old writing teacher Steven Schwartz. I’m re-reading The Disobedience of Water, by Sena Jeter Naslund, also a story collection. I just finished In the Garden of Beasts, about the American ambassador in Berlin during Hitler’s rise, by Erik Larson. And I’m reading three incredible novel manuscripts by friends, for my writing group.

Q & A—and a Book Giveaway! Welcome Author Tara Laskowski

Tara LaskowskiNeed help navigating the tricky rules of etiquette in some, shall we say, rather delicate circumstances? Tara Laskowski,  author of Modern Manners For Your Inner Demons (Matter Press 2012), has written a profoundly funny and touching guide for properly conducting yourself in situations of adultery, dementia, arson, homicide, and more.

Want a free copy of Tara’s book? Read on.

Tara is senior editor at the online flash fiction literary magazine SmokeLong Quarterly, and was their 2009 Kathy Fish Fellow and writer-in-residence. She earned a BA in English with a minor in writing from Susquehanna University and an MFA in Creative Writing from George Mason University. Her submission of short fiction won the 2010 literary awards series from the Santa Fe Writers Project, and she has work forthcoming or published in several anthologies. Her story, “Dendrochronology” won second prize and publication for the Press 53 Open Awards anthology in 2010. Her story, “Ode to the Double-Crossed Lackey in ‘Thunderball,’” was nominated for Dzanc’s Best of the Web series for 2009, and her short stories “They” and “Like Everyone Else” were recognized by storySouth as notable online stories in 2004 and 2009. Another story, “Hole to China,” was nominated for a Pushcart Prize. A native of Wilkes-Barre, Pennsylvania, Tara currently lives and works in a suburb of Washington, D.C. with her husband Art Taylor, her son Dashiell, and their two cats.

Tara, we’re honored to feature you here on Write Despite. Thanks for answering the following.

1) Best writing advice you’ve ever received?

I’ve got a few, is that ok?

1. Have fun with it. My favorite stories are the ones that I had fun with—whether that was experimenting with form, or inserting some crazy detail or action that made me go somewhere fresh with the plot, or just enjoying my characters and what they say. My time is so limited these days that if I’m dreading returning to a story to work on it, then I should probably just drop it for a while and do something else. Now, all that said, I don’t really find writing very ‘fun’ all the time—it’s hard work, even when you are having fun. But I think just generally, doing something different, not being afraid to play, is good advice.

2. Play to your strengths. Note, this is not the same as, write what you know. By play to your strengths, I’ll give you an example from my writing challenges. For my MFA thesis at George Mason University, I attempted to write a 500-page novel that was a historical love story spanning over several decades. It’s a great story, but it didn’t work, and after more than five years of working on it I realized why—because that kind of story is not my strength. I don’t write long time periods very well. I write short. Short moments, tiny pieces of time. I would’ve done better, perhaps, working on a novel that spanned one day in the life of someone. Or maybe a month. Or a summer. But not 25 years. No, no.

3. This one speaks more to process: You don’t have to write every day. (Sorry, I know that’s the point of your whole blog). But for me, who doesn’t write every day, who cannot write every day, this was a freeing moment. Now, that said, I do try to check in every day, even if that’s just thinking about my characters before bed. I do think it’s extremely important to keep your head in the game, even if you aren’t physically sitting down every day and writing something. So maybe I would just expand that one a little: Write in the schedule that works for you. If it’s every day, amazing. If it’s all weekend, great. Write in the morning? Go for it. Late at night? Sweet. Point is, figure out a schedule that works for you, and to hell with the way everyone else does it. Artists work in different ways, and there is no one formula for success. Just find what works for you and write. Above all, just keep writing.

2) Favorite three authors?

In all of the world? Living or dead? How cruel are you?? I wish I was Jennifer Egan. Does that count? I probably wouldn’t be a writer without J.D. Salinger, F. Scott Fitzgerald, Virginia Woolf, or John Updike. I’m already past my three. I suck at following directions.

3) Briefly describe your journey to publication. (How were you first published and how has that led to where you are now?)
Laskowski-bookI used to write in high school and got a few things published in the literary magazine there. I honestly cannot remember the very first publication I got. I know in college and even grad school there were a few hard-earned publications. In 2009, I won a writing fellowship at SmokeLong Quarterly, and that for me was a huge turning point. I started publishing a lot online and meeting a lot of really amazing and talented people, and after my fellowship was over I became an editor there, and now the senior editor. Being a part of the community in this way has really improved my writing and editing skills, and I am forever grateful for it. Last October, I published my first collection of stories, Modern Manners for Your Inner Demons.

4) Advice for those now on the road to publication?

The same ole, same ole: Read the publications that you are sending to. Please. Why would you want to be published somewhere that you don’t read? Also, every publication has a style, has a vibe about it, and once you start reading it, you kind of get it. It makes your acceptance rate go through the roof if you actually send editors the kind of stuff they like. Sounds crazy, but it’s true!

I think the same holds true for novelists. Researching agents, reading the books they place, is key. Otherwise you’ll never stand out from the slush pile.

5) Do you write every day?

No way. I wish I did. But I do think about writing every day, and I’ve become much more skilled at writing in my head. http://opinionator.blogs.nytimes.com/2012/12/01/the-art-of-being-still/

6) What are you writing now? (If nothing, what are you reading now?)

I’m working on another collection of short stories, tentatively called BYSTANDERS, which is slow going. I’m reading The Magus by John Fowles, which I just started so I can’t tell you if I love it yet. But I’m keeping my fingers crossed.

YOU COULD SNAG A FREE COPY OF TARA’S BOOK, MODERN MANNERS FOR YOUR INNER DEMONS. JUST TELL US WHY YOU’D LIKE TO OWN THIS AMAZING COLLECTION OF STORIES BY POSTING YOUR COMMENT HERE. WE’LL PICK A WINNER BY AUGUST 1!

Welcome Author Leanne Dyck

LeanneJPGLeanne Dyck’s stories are about strong women and the challenges they face. Leanne’s writing has appeared in the Island Writer, Kaleidoscope and Canadian Stories literary journals. In 2011 Decadent Publishing released her dark thriller The Sweater Curse as an ebook. Follow Leanne’s author journey by visiting her blog: http://sweatercursed.blogspot.com

Leanne, welcome to Write Despite and thanks for taking the time to chat with us.

 1)    What’s the best writing advice you’ve ever received?

‘If you keep writing you’ll be published’ –Julia Cameron, The Right to Write
I’ve also benefited from advice gleamed from Steven King’s On Writing and Nancy Lamb’s The Art and Craft of Storytelling.

 2)    Please tell us your favorite three authors.

I have so many. Let’s see, today I’ll choose Will Ferguson, Jane Urquhart and Mary Sharratt.

 3)    Briefly describe your journey to publication.

I’ve always written. When I was in elementary school one of my poems was published in my school’s newspaper. In middle school one of my short stories was published in the community newspaper. All through school and after graduation, I continued to write but mainly for my own enjoyment. After opening a knitwear design business in 2002, I began to write articles for craft magazines. I enjoyed working with editors and was thrilled to see my writing published. Desiring to learn more about the publishing business I decided to self-publish. From 2006 to 2009, I self-published paperbacks, ebooks and an audio book. Self-publishing was fun but I’m a team player so I decided to submit my writing to publishing houses. In 2011, Decadent Publishing released my novella-length thriller—The Sweater Curse—as an ebook.

TheSweaterCurse-BONOReaders wrote:
Stitch by colorful stitch, Leanne Dyck knits a tale of intrigue’ –Laurie Buchanan
‘Leanne Dyck has crafted a tale of exotic and existential as Danish author Isak Dinesen’s’ –Lou Allin

After reading those reviews, I closed my design business and began to write full-time. I’m now seeking a publisher for five manuscripts—this includes The Sweater Curse (which is now novel-length).

4)    Advice for those now on the road to publication?

Believe in the power of your words.
Read, write and submit.
Keep writing fun.

 5)    Do you write every day?

Yes. Some days I work on a new project; other days I work on revisions and some days I just write for fun.

6)    What are you writing now?

As a rule I usually work on at least two projects at a time. Right now I’m working on two book-length manuscripts:  a non-fiction and a general fiction.

 7)    What are you reading now?

In Calamity’s Wake, by Natalee Caple.

Welcome Author Susan Schoenberger

watershedyear-200x300Connecticut author Susan Schoenberger’s first novel, A Watershed Year, was published in March 2011 following, as she puts it, “many years of writing and editing and many rounds of publisher submissions.” On her website, Susan says the novelat its heart, is a love story, and a story about all the ways that we interconnect in this world of both too much and too little communication.”

Hard at work on her second novel, The Virtues of Oxygen, Susan took a few minutes to share her thoughts on writing and the reality of the publishing business. Susan has been a writer, editor and copy editor at various newspapers, including The News and Observer, The Baltimore Sun and The Hartford Courant. She’s done all this while raising three kids, a feat we at Write Despite (with three kids between us) truly admire.

Please welcome Susan Schoenberger to Write Despite.

1. What’s the best writing advice you’ve ever received?

I’ve received no shortage of writing advice, but the best nugget was something Richard Ford said about his own work. He described his process of re-reading his entire manuscript with an eye toward strengthening the verbs in each and every sentence. Now I do the same thing.

2. Please tell us your favorite three authors

Richard Ford (obviously), Don Delillo, and Ann Patchett

3. Briefly describe your journey to publication.

I wrote a novel that didn’t go anywhere, then attended the Wesleyan Writers Conference in 2001 and began focusing on craft. I had several short stories published over the next few years, then attempted a novel again. This one — now called A Watershed Year — won the William Faulkner-William Wisdom prize in 2006, which helped me get an agent in 2007. My agent finally sold the book to a small publisher and it was published in 2011. Luckily, the same editor who bought the book moved to Amazon Publishing and convinced them to re-release it and buy my next book. A Watershed Year will be re-released on Nov. 26, 2013, and my next novel, The Virtues of Oxygen, is due out in the summer of 2014.

4. Advice for those now on the road to publication?

We all want to believe that the “ready for publication” standard for submitting to agents means that the book is actually ready for publication. In my case, anyway, I needed to do major rewriting and editing before the book sold and then more rewriting after it sold. It was painful, but in the end, the book was better for it.

5.  Do you write every day?

With a full-time job (and two kids in college plus one in high school), I don’t get to write every day. But I think about my story and my characters every day.

6. What are you writing now?

I’m working on the manuscript for The Virtues of Oxygen, which is due to Amazon in October. Having a deadline is a big motivator.

SusanSchoenbergerbirches1-300x199

A Watershed Year will be re-released in November by Amazon. You can pre-order a copy here: http://www.amazon.com/A-Watershed-Year-Susan-Schoenberger/dp/1477848010/ref=sr_1_4?ie=UTF8&qid=1371477953&sr=8-4&keywords=a+watershed+year

Halfway There!

We’re halfway there! A joint post from both of us today. Thanks to all of you who have stuck with us so far. If you’ve written every day for six months (or even more than you would have for six months), congratulations! Raise a glass (or four) to yourself tonight, and imagine us toasting you.

toast

Clink!

And if you’ve just joined us, it’s a great time to commit to the next six months–or whatever amount you can manage. Pick a date, follow along, and write every day! Good luck!

From Cathy:

How, in the name of all that is holy, did we arrive here?

cicadaSix months in! Six months that flew by like one of those creepy little cicadas that we were supposed to be all plagued-out by here in the east but that apparently decided that no, thank you, we’ll just stay holed up in the ground a few more years. (And with this whole Paula Deen scandal raging, who can blame them?)

Six months, and we have written our little arses off, and created fan-effing-tabulous works of literary genius, and gleaned a whole truckload of useful advice, and learned that this writing thing is a big jacked-up piece of cake with half-inch buttercream icing on top.

Haven’t we?

Well, it’s been real anyway. Real hard. Real work. Real enlightening. Real annoying. And from it, I’ve been through some real transitions. Here are some of them:

1. In January, I started the new novel. I was all like:

excited vintage woman

2. By April, I was so bogged down by the whole thing, I was all like:

Crying Kim Kardashian

3. So I started rewriting novel #1 and that perked me up and I’m still at it, but I kept feeling like a failure for giving up on novel #2. So then I went back and reread it, and guess what? Not so crappy. So I was all like:

girl thinking

Because, hmmm. Maybe I can do it after all. After I get this damned rewrite done. Which I’m not even halfway through with yet. But it feels kind of do-able now, not because I’ve figured out what was bothering me about it, but because, after six months, I’ve actually kind of gotten into the habit of producing stuff, no matter what.

Wow!

And even better, it’s half over and I’m feeling like, hell yeah I can do this another six months. Because that will be gone too before you can bat a cicada away. All we need to do is hang in there, my friends.

How’s it going so far for you? Progress to report? Stories to share? Failures? Suggestions? We’d so love to hear.

From Karen:

Six months into the Write Despite challenge. Who has managed it every day? Please let us know who you are, so we may commend you.

I have written a whole lot and thought about writing a whole lot and made substantial progress. The glass is totally half-full, halfway in. And what’s more important, I’ve embraced a more refined understanding of the writing process: It’s hard, maybe harder than I realized. This is because I’m applying a new level of scrutiny to my work.rigor cup

My day job is at a very fine university, one of the finest in the world. One of the terms I hear batted around a lot here is rigor. Rigorous standards for academic performance. Rigorous curricula and an overall rigorous approach to tackling problems and producing work. There are no short cuts on the road to excellence.

That is the approach I’m now taking. I’m digging deeper and trying harder. I’m undertaking that additional edit. I’m rewriting and rewriting and taking one last look to be sure I haven’t missed anything. When you’re tapping into everything you have, drawing on all your abilities and feeling challenged to the utmost, you’re doing it right.

Share your progress reports from the last six months. How have you grown as a writer since January 1?

Post Navigation