I hope everyone is writing well as we head into the home stretch of winter. The green grass of Spring is on the horizon. If you’ve got short work you’re looking to send out, here’s an opportunity.
We’re going to start giving a shout-out to magazines and online publishing venues that truly welcome emerging–as well as established–writers, when we stumble across them.
So, say hello to Sonder Midwest. What a super cool logo this is.
The mag’s online presence is pretty nice, and the publishers really want to see your stories. Here’s how they put it:
Sonder is an online literary and art publication that strives for unity through defining the unknown territory that is creativity. Sonder provides a place for young and new writers to share their prose, poetry, photography, drawings, and other types of original work. Sonder desires work that connects everyone involved.
They’ve got some upcoming contests and other opportunities. Check them out, and send your work out: https://sondermw.wordpress.com
Remember, when one of us scores, we all score. Good luck!
Last week I was lucky enough to attend a fantastic workshop at the Writers in Progress studio in beautiful Florence, Massachusetts. Led by author Jacqueline Sheehan, the workshop was called “Getting Close to Your Characters.”
Anyone who’s struggled with bringing characters and their motivations (real and hidden) to life knows what we’re talking about. It ain’t easy.
The studio described the challenge this way:
One of the main reasons why readers read is to slip inside the skin of another person. The most memorable characters are those we feel closest to: the ones whose feelings we feel and whose lives we experience…. But how do writers accomplish this intimacy while thinking about so many other things, like plot and pacing and character development?
Jacqueline keeps her workshops grounded in exercises and techniques that writers can immediately put to use. In fact, I went home and did exactly that in my novel draft.
We delved into point-of-view, motivation, physical setting, and verb tense as conduits to create intimacy between character and reader. I can’t put down all the good stuff I soaked up, but here are a few gems that REALLY struck me.
- Characters need STRONG and CLEAR motivations in order to engage readers. Ratchet up the intensity of their desire. One common complaint among literary agents, Jacqueline says, is characters that are too PASSIVE.
So, the question becomes how we skillfully develop characters to SHOW the intensity of their motivation, and by extension, who they really are. Some techniques to get you there:
- Engage the senses, make reading experiential. Sight, sound, and touch are of course important, but don’t forget the other sense. Smelling what a character smells, or tasting, gets the reader up personal and inside what the character is experiencing. Scent especially is a very primal sense, evoking memories and states of mind in an instant.
- Let characters be vulnerable to pain. “Being stoic is not going to work,” as Jacqueline puts it. Show the reader how they react to fear, betrayal, abandonment, loss. “It’s very revealing how we respond to those hard things,” says Jacqueline, who, by the way, is also a psychologist. “Your core is revealed.” Help readers feel what your characters feel and they’ll go along for the ride.
- Use powerful verbs! Brain imaging has shown that when you watch someone doing active things, the same part of your brain lights up as the person doing the action. So, if they leap, you take a mental leap. The same holds true for readers. So, don’t breathe heavily, pant or gasp or instead.
- Use actions, not thoughts, to bring readers into a character’s mind. Watching someone throw a punch or flip the finger in traffic is a more telling display of their emotional state than saying their angry, even if they’re “quaking with angry.”
- A good tip—use verbs that are associated with sex; they’re already sensual and evocative!