Tag: debut author

A debut novel finds a home

Please welcome debut novelist Jacquie May Miller to Write Despite. Jacquie is a businessperson who’s now embarking on a second career as a novelist. She’s an inspiration for everyone trying to land that first book deal, and her novel’s got a killer title!

–Karen

Take it away, Jacquie…

Thank you, Karen, for inviting me to your blog. I am so excited to share my story with you and soon with the rest of the world. My women’s fiction novel, The Price of Secrets, will be released April 7, 2021.

My journey to publication took a little longer than most—I’m over 60 (not saying how far over)—but I’m as excited as I was when I published my first article in the Nosy Neighborhood News at age eleven. Perhaps that’s an understatement—I’m over the moon! It only took about fifty more years to land a contract with The Wild Rose Press. 

To be fair, I wasn’t trying for the first forty, I was using the left side of my brain managing my business. But about ten years ago, after spending most of my life making a living, I decided to make a life. I started putting words on paper, or cyber paper— scratches in a notebook, notes on loose scraps of paper, ramblings on my computer—that seemed to be forming a story.

With the help of my critique group, various writing classes and some wonderful writing conferences, my first draft was transformed into something worthy of publication.

Or was it?  After knocking on many doors, i.e., querying by email and pitching in-person, The Wild Rose Press answered the door. My editor opened it juuuust wide enough to ask me to consider a few changes, then gently closed it again. Her suggestions were correct and after a few revisions, I tried again, and the door swung wide open.

I am now a “Rose” in a garden full of welcoming authors. I couldn’t be happier to share my publication journey with the wonderful people associated with The Wild Rose Press, Inc. Thank you again for inviting me to your blog.

If you’d like to know more about me or my path to publishing The Price of Secrets, please check out my blog, www.jmaydaze.com.   

Wondering what you’ll find inside my book? Here’s a teaser:

When Jamie Crandall left Seattle for college twenty-five years ago, she was pregnant. Her mother demanded she have an abortion or get the hell out of Seattle and never come back. Jamie chose the latter, using her scholarship to UC Berkeley to disappear with the son she refused to abort. But now, twenty-five years later, everything has changed. Her mother has died, and Jamie is coming home to face the father of her son. Reuniting her son and his father will come at a high price though…Jamie has one more secret left to reveal.

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New Author Angie Chuang: Holding On and Letting Go

Angie Chuang didn’t know what she was getting into when she began writing essays drawn from her experiences as a journalist in Afghanistan. With the publication of her debut book, The Four Words for Home, later this week, we’ll all get to share in her amazing journey.

The publication marks the end of an 8-year odyssey. Angie’s challenges, outlined so honestly below, will sound familiar to many of us. Her  journey is an inspiring reminder that the writing process taps into our deepest reserves of  faith and determination. We’re thrilled to feature another nonfiction writer, someone who has taken journalism to its highest literary calling.

Please welcome Angie Chuang, my old colleague from the Hartford Courant, to Write Despite.

–Karen

COVER - TFWFH(2)

We writers endure so much rejection that every publication, every “yes,” feels like a breakthrough. I remember well my first-ever literary-journal publication, my first paid publication, my first anthology publication, and my first publication in what I regarded as a well-known journal. Each of these felt like stair steps – often with very long plateaus in between – toward the ultimate goal of someday publishing a book.

Starting in late 2004, after I returned from a life-changing reporting trip to Afghanistan, I spent a year in denial that I was writing a book based on that experience (“Essays! I am writing a series of essays!”); four years drafting what I begrudgingly admitted really was a book; one year drastically revising the mess of a “book” I came up with (evident in agent responses akin to, “Love the idea, love the writing, but it’s just not ready yet”); nearly one more year in an even more drastic revision based on the detailed notes of an agent who left her job before I finished. Granted, I had worked full-time as a journalist and then a tenure-track university professor during this time, so all this writing, revising, agent-querying was happening amid a whole lot of reporting, career-changing, teaching, and scholarly research.

But suffice to say that by 2012, the start of year eight of working on my book The Four Words for Home and seeking an agent or publisher for it, I was beginning to wonder if I should shelve it. My book’s focus had shifted from Afghanistan to an interwoven memoir about two immigrant families, the Afghan-American family that had brought me to their homeland and my own. Even so, I knew the reading public’s interest in Afghanistan had faded – the market for my book had shrunk with every year I had spent on it. I loved and believed in the story I had obsessed over for so long. But I was tired.

I promised myself I would send the manuscript out to one more round of small-press contests, casting a wider net to include more independent publishers. Early in 2013, I learned I was a finalist for the Willow Books Literature Awards and was invited to a festival and awards ceremony, where the winners of cash prizes and two book contracts (poetry and prose) would be announced.

When my name was announced as the prose winner, I was so ready to weather another near miss, I thought another finalist’s name had been read. I finally made it up to the stage, but months passed before reality sunk in and I started talking about a book and not a book manuscript. Since then, I have ridden the roller coaster of panic (that I had to stop revising and submit a final version), euphoria (I’m actually going to have a book!), fear (Everyone can actually read it!), and realism (I’ll be lucky if 0.0000001 percent of “everyone” reads it).

As I write this, I’m a couple days from holding the very first copies in my hand, and about to fly across the country for my first book appearances (not a bankrolled “book tour,” mind you, something about as quaint and rare in today’s literary publishing world as a free, real meal in domestic coach class). I know intellectually this publication represents a breakthrough, but I don’t quite feel it in my heart yet. Other authors tell me it takes some time to sink in and really enjoy it, to get past the “cringe,” as one put it, of other people reading and reacting to something you’ve worked on in isolation for so long.

So my advice to those who are in the long and murky middle between committing to writing a book and getting said book published: Don’t give up – and enjoy it.

Not giving up is obvious. Only your mule-headed, obsessive belief in your story will see you past the fatigue, the rejections, the self-doubt, the doubt from others, the 2,000th stupid question like, “Oh, are you still working on that book?”

Enjoying it may be less so. But I already miss a time when the story was mine and only mine, and we were engaged in a dialogue, and often an epic-seeming battle, over what it would become. The countless hours I spent alone with my manuscript – creating, changing, and wrestling with it – gave me enough belief in the story to release it into the world.

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More information about The Four Words for Home and Angie Chuang is available at www.angiechuang.com. The book is available for order via Willow Books or Amazon.